Local cover image
Local cover image
Amazon cover image
Image from Amazon.com

Histories of performance documentation : museum, artistic, and scholarly practices / edited by Gabriella Giannachi and Jonah Westerman

Contributor(s): Material type: TextTextPublisher: New Yok : Routledge, [2018]Edition: First editionDescription: 207 pàgines : il·lustracions en blanc i negre ; 24 cmContent type:
  • text
Media type:
  • sense mediació
Carrier type:
  • volum
ISBN:
  • 9781138184145
Other title:
  • Museum, artistic, and scholarly practices
Other title: Museum, artistic, and scholarly practicesSubject(s):
Contents:
Conté: Introduction: practical histories: how we do things with performance. PART I: Interviews : Chapter 1: Museum of Modern Art, New York -- Chapter 2: Whitney Museum of American Art, New York -- Chapter 3: Tate, London / Catherine Wood and Pip Laurenson, in conversation with Jonah Westerman, June 2016 -- Chapter 4: San Francisco Museum of Modern Art -- Chapter 5: Van Abbemuseum, Eindhoven -- Chapter 6: The Kitchen, New York -- Chapter 7: Walker Art Center, Minneapolis -- Chapter 8: Performa, New York -- Chapter 9: LIMA, Amsterdam -- Chapter 10: Pics or it didn't happenInterview. PART II: Essays -- Chapter 11: Performing the archive and exhibiting the ephemeral -- Chapter 12: At the edge of the 'living present': re-enactments and re-interpretations as strategies for the preservation of performance and new media art -- Chapter 13: Documenting interaction Challenges of documenting interaction From video recordings to documentary collections Rokeby's Very Nervous SystemT mema's Manual Input Workstation --Chapter 14: Screen capture and replay: documenting gameplay as performance Perfect capture Replay history A performance capture tool -- Chapter 15: Mixed reality performance through ethnography [includes: If Tate Modern was Musée de la Danse?] Ethnography and systems design Design ethnography in the context of artistic engagements – Conclusion -- Afterword: the intention of the artist and the point of view of the audience: performance documentation revisited -- Index
Summary: "How might we document, curate, collect, and exhibit performance?Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards. Considering the unique challenges of documenting live events including hybrid and interactive arts, games, virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays, and examines a number of interdisciplinary documentation practices which have influenced the field of performance documentation. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney. Developing from recent approaches which argue that discussions of performance should not focus purely on the live event, and that documentation should not be read solely as a process of retrospection, these chapters build a radical new framework for thinking about the relationship between performance and its documentation - and how documentation might shape ideas of what constitutes performance in the first place."-- Contracoberta
Holdings
Item type Current library Home library Call number Status Date due Barcode
Llibre Biblioteca Barcelona Biblioteca Barcelona BCN Lliure Accés 06 HIS (Browse shelf(Opens below)) Checked out 05/06/2024 1900085465

Índex

Inclou referències bibliogràfiques

"How might we document, curate, collect, and exhibit performance?Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards. Considering the unique challenges of documenting live events including hybrid and interactive arts, games, virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays, and examines a number of interdisciplinary documentation practices which have influenced the field of performance documentation. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney. Developing from recent approaches which argue that discussions of performance should not focus purely on the live event, and that documentation should not be read solely as a process of retrospection, these chapters build a radical new framework for thinking about the relationship between performance and its documentation - and how documentation might shape ideas of what constitutes performance in the first place."-- Contracoberta

There are no comments on this title.

to post a comment.

Click on an image to view it in the image viewer

Local cover image

Powered by Koha