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The Twentieth-century performance reader / edited, with an introduction and contextual summaries, by Michael Huxley and Noel Witts by
- Huxley, Michael
- Witts, Noel
- Anderson, Laurie. Speed of change
- Appia, Adolphe. Actor, space, light, painting
- Artaud, Antonin, 1896-1948. Theatre and cruelty
- Banes, Sally. Terpsichore in sneakers : post-modern dance
- Barba, Eugenio. Words or presence
- Barthes, Roland. Grain of the voice
- Bausch, Pina. Not how people move but what moves them
- Beck, Julian. Acting exercises
- Benjamin, Walter, 1892-1940. What is epic theater?
- Bharucha, Rustom. Notes on the invention of tradition
- Boal, Augusto. Theatre as discourse
- Brecht, Bertolt, 1898-1956. Short description of a new technique of acting which produces an alienation effect
- Brook, Peter, 1925-2022. Deadly theatre
- Brown, Trisha, 1936-. Trisha Brown : an interview
- Cage, John. Four statements on the dance
- Craig, Edward Gordon, 1872-1966. Actor and the über-marionette
- Cunningham, Merce. You have to love dancing to stick to it
- Duncan, Isadora, 1877-1927. Dancer of the future
- Eisler, Hanns. Some remarks on the situation of the modern composer
- Glass, Philip. Notes on Einstein on the beach
- Goldberg, Roselee. Performance art from futurism to the present
- Grotowski, Jerzy, 1933-1999. Statement of principles
- Hijikata, Tatsumi. Man, once dead, crawl back!
- Humphrey, Doris. "Check list", from the art of making dances
- Jarry, Alfred, 1873-1907. Of the futility of the "theatrical" in theater
- Kantor, Tadeusz, 1915-1990. Theater of death : a manifesto
- LeCompte, Elizabeth
- Lepage, Robert. Robert Lepage in discussion with Richard Eyre
- Marinetti, Filippo Tommaso, 1876-1944. Founding and manifesto of futurism
- Martin, John Joseph, 1893-. Characteristics of the modern dance
- Meyerhold, V. E. (Vsevolod Emil'evic), 1874-1940. First attempts at a stylized theatre
- Müller, Heiner. 19 answers by Heiner Müller
- Müller, Heiner. Nineteen answers by Heiner Müller
- Piscator, Erwin, 1893-1966. Epic satire
- Rainer, Yvonne. Quasi survey of some "minimalist" tendencies in the quantitatively minimal dance activity midst the plethora, or an analysis of Trio A
- Richter, Hans. How did dada begin?
- Schechner, Richard, 1934-. Five avant gardes or ... or none?
- Schlemmer, Oskar, 1888-1933. Man and art figure
- Soyinka, Wole. Theatre in african traditional cultures : survival patterns
- Stanislavski, Konstantin Serguéievitx, 1863-1938. Intonations and pauses
- Wigman, Mary, 1886-1973. Philosophy of modern dance
- Williams, Raymond. Argument : text and performance
- Wilson, Robert, 1941-
Material type:  Text
Publication details: London : Routledge, 1996
Availability: Items available for loan: Biblioteca Barcelona (1)Location, call number: BCN Lliure Accés 792"19" TWE.
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