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The Model as performance : staging space in theatre and architecture / Thea Brejzek and Lawrence Wallen

By: Contributor(s): Material type: TextTextSeries: Performance + designPublisher: London : Bloomsbury Methuen Drama, [2018]Description: x, 188 pàgines : il·lustracions ; 24 cmContent type:
  • text
  • imatge fixa
Media type:
  • sense mediació
Carrier type:
  • volum
ISBN:
  • 9781350095908
  • 1350095907
Subject(s):
Contents:
Conté: Introduction -- The model as object and idea -- Staging politics and knowledge through the model -- Performing architecture: Edward Gordon Craig and the model stage -- Staging the future: the model as performance of inhabitation -- Performing the past: the full-scale model and mock up -- Staging the white cube: the autonomous model as a performance of space
Summary: "'The model as performance' investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment." -- Contracoberta
Holdings
Item type Current library Home library Call number Copy number Status Date due Barcode
Llibre Biblioteca Barcelona Biblioteca Barcelona BCN Lliure Accés 725.8 BRE (Browse shelf(Opens below)) 1 Available 1900080053

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Bibliografia

"'The model as performance' investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment." -- Contracoberta

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