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Falling for gravity: invisible forces in contemporary art/ Catherine James

Por: Tipo de material: TextoTextoEditor: Oxford ; New York: Peter Lang, [2018]Descripción: xiv, 207 pàgines : il·lustracions, fotografies en blanc i negre; 23 cmTipo de contenido:
  • text
Tipo de medio:
  • sense mediació
Tipo de soporte:
  • volum
ISBN:
  • 9783034317269
Tema(s):
Contenidos:
Conté: On shaky ground -- The cosmic cage -- Heavy stuff -- Vertigo -- Critical mass
Resumen: "This book begins with the observation that contemporary artists have embraced and employed gravity as an immaterial readymade. Necessarily focusing on material practices - chiefly sculpture, installation, performance, and film - this discussion takes account of how and why artists have used gravity and explores the similarities between their work and the popular cultural forms of circus, vaudeville, burlesque, and film. Works by Rodney Graham, Stan Douglas, and Robert Smithson are mediated through ideas of Gnostic doubt, atomism, and new materialism. In other examples - by John Wood and Paul Harrison, Gordon Matta-Clark, Peter Fischli and David Weiss, Trisha Brown, and Bas Jan Ader - mass and momentum, falling objects, and falling bodies are examined in relation to architecture, sculpture, and dance. In performances, projects and events curated by Bruce Nauman, Santiago Sierra, and Catherine Yass, gravity is resisted in Sisyphean ordeals and death-defying stunts. This account of contemporary art and performance, read through the invisible membrane of gravity, exposes new and distinctive approaches to agency reduction, authorial doubt, and redemptive failure." -- Contracoberta
Existencias
Tipo de ítem Biblioteca actual Biblioteca de origen Signatura topográfica Copia número Estado Fecha de vencimiento Código de barras
Llibre Biblioteca Barcelona Biblioteca Barcelona BCN Lliure Accés 7"20" JAM (Navegar estantería(Abre debajo)) 1 Disponible 1900080968

Inclou índex

"This book begins with the observation that contemporary artists have embraced and employed gravity as an immaterial readymade. Necessarily focusing on material practices - chiefly sculpture, installation, performance, and film - this discussion takes account of how and why artists have used gravity and explores the similarities between their work and the popular cultural forms of circus, vaudeville, burlesque, and film. Works by Rodney Graham, Stan Douglas, and Robert Smithson are mediated through ideas of Gnostic doubt, atomism, and new materialism. In other examples - by John Wood and Paul Harrison, Gordon Matta-Clark, Peter Fischli and David Weiss, Trisha Brown, and Bas Jan Ader - mass and momentum, falling objects, and falling bodies are examined in relation to architecture, sculpture, and dance. In performances, projects and events curated by Bruce Nauman, Santiago Sierra, and Catherine Yass, gravity is resisted in Sisyphean ordeals and death-defying stunts. This account of contemporary art and performance, read through the invisible membrane of gravity, exposes new and distinctive approaches to agency reduction, authorial doubt, and redemptive failure." -- Contracoberta

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