Anatomy of a song [Enregistrament de vídeo] : with Stephen Sondheim, John Weidman and members of the cast of Pacific Overtures / produced by Stephen Paley ; directed by John Musilli
Material type: FilmPublication details: Australia : Contemporary Arts Media, [200-?]Description: 1 videodisc (DVD) (29 min) : so, colOther title: Stephen Sondheim : | "Someone in a tree" from "Anatomy of a song"Other title:- Títol a la superfície del disc i al contenidor: Stephen Sondheim : "Someone in a tree" from "Anatomy of a song"
- Camera three (Programa de televisió)
- Fotografia: Michael Livesey ; foto animació: John Anthes ; editor del film: Anitra Pivnicks
Item type | Current library | Home library | Call number | Copy number | Status | Date due | Barcode | |
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Vídeo | Biblioteca Barcelona | Biblioteca Barcelona BCN Vídeo | V-TM SON (Browse shelf(Opens below)) | 1 | Available | 1900073561 |
Produït originalment pel programa de televisió "Camera Three" el 1976
Fotografia: Michael Livesey ; foto animació: John Anthes ; editor del film: Anitra Pivnicks
Convidats: Frank Rich
Membres del càsting de Pacific Overtures: Mako, James Dybas, Mark Hsu, Gedde Watanabe
"Stephen Sondheim, composer-lyricist; John Weidman, writer; and Frank Rich, theater critic, in a close study of how one Broadway musical song came to be: "Someone in a Tree" from "Pacific Overtures". Members of the Broadway cast join Sondheim in a rousing performance of the number. Filmed in Sondheim's apartment in New York City. Members of the cast of "Pacific Overtures": Mako, James Dybas, Geddie Watanabe, Mark Hsu Syers. "It's my favorite song of anything I've written," Sondheim says. He demonstrates how he created the song, how the music tracks the libretto, gaining complexity and tension as the text becomes more urgent, how the song becomes a study of perceiving details in a seamless world. In the mid 70's Stephen Sondheim was already a celebrated composer-lyricist, increasingly fascinated with myth and history, when he undertook the musical "Pacific Overtures", based on John Weidman's play about the collision of cultures of 1853 that occurred when Commander Perry sailed into Tokyo Bay to end once and for all Japan's isolation from the West. As the work took shape the key scene became the actual meeting of east and west in the negotiators' "treaty house"; yet the audience is told what happens only from the reports of an old man, and a young boy who saw it, or some of it, from a tree. He was so young, did he know what he saw? Nevertheless, he was "Someone in a Tree." -- Contenidor
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