Assign & arrange : methodologies of presentation in art and dance / Maren Butte [i 4 més] (eds)

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Material type: Text

text

Media type:

sense mediació

Carrier type:

volum

ISBN:

9783943365900

Other title: Assign and arrange : | methodologies of presentation in art and danceOther title:

Assign and arrange : methodologies of presentation in art and dance

Subject(s):

Contents:

Conté: Preface / Gabriele Brandstetter, Gregor Stemmrich -- Introduction / Maren Butte, Kirsten Maar, Fiona McGovern, Marie-France Rafael, Jörn Schafaff -- Convergence of music, dance and sculpture c1961 : reconsidering Simone Forti's dance constructions / Liz Kotz -- "One had entered into something" : from steady artworks to movements in space in the practice of Theo van Doesburg and Constantin Brancusi / Nina Schallenberg -- Geometric order and corporeal imprecision : Trisha Brown's Group Primary Accumulation (1973) / Ramsey Burt -- Exhibiting choreography / Kristen Maar -- The mobilized spectator : some speculations on the architectural history of museum scripting and staging / Christian Teckert -- The unruly spectator : exhibition analysis on foot / Franziska Bork Petersen, Minnie Scott -- Sets and scenarios : Rirkrit Tiravanija's Untitled 1992 (Free) / Jörn Schafaff -- The ghost time of transformation / Adrian Heathfield -- Remember! Assigning and (re-)arranging in the work of Janez Janša / Maren Butte -- Staging rehearsal : About After Trio A / Andrea Božić in conversation with Maren Butte and Kirsten Maar -- The artist taking care of the presentation : Sophie Calle's Prenez soin de vous / Marie-France Rafael -- The autobiography of video : outline for a revisionist account of early video art / Ina Blom

Summary: "Assign & arrange: Methodologies of presentation in art and dance' aims to map the exchanges and transgressions between art and dance that characterize the manifold variety of relations between art and dance that can be observed today: dance performances taking place in art galleries or public spaces, for example, or visual artists developing specific presentational formats or exhibition displays that generate dimensions of dramaturgy and choreography for their visitors. Terms like mise-en-scène, situation, setting, choreography, and installation are being almost coevally used not only by theoreticians but also by contributors from both art and dance in order to define modes of presentation or to specify visitors' aesthetic experience. Taking into account historical and current examples, and involving perspectives from art history, dance studies, and architecture, the book explores similarities and differences in the respective practices, as well as in the theoretical concepts they correspond with" -- Contracoberta

Holdings
Item type	Current library	Home library	Call number	Copy number	Status	Date due	Barcode
Llibre	Biblioteca Barcelona	Biblioteca Barcelona BCN Lliure Accés	793 ASS (Browse shelf(Opens below))	1	Available		1900074247

"A publication by the Collaborative Research Center 626 'Aesthetic experience and the dissolution of artistic limits' at Freie Universität Berlin, with funding by Deutsche Forschungsgemeinschaft" -- Colofó

"This publication is based on the conference 'Assign and arrange : methodologies of presentation in art and dance' at ICI Berlin Institute for Cultural Inquiry, December 7-8, 2012" -- Colofó

Inclou índex

Bibliografia

"Assign & arrange: Methodologies of presentation in art and dance' aims to map the exchanges and transgressions between art and dance that characterize the manifold variety of relations between art and dance that can be observed today: dance performances taking place in art galleries or public spaces, for example, or visual artists developing specific presentational formats or exhibition displays that generate dimensions of dramaturgy and choreography for their visitors. Terms like mise-en-scène, situation, setting, choreography, and installation are being almost coevally used not only by theoreticians but also by contributors from both art and dance in order to define modes of presentation or to specify visitors' aesthetic experience. Taking into account historical and current examples, and involving perspectives from art history, dance studies, and architecture, the book explores similarities and differences in the respective practices, as well as in the theoretical concepts they correspond with" -- Contracoberta

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