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Playing indentities : migration creolisation creation : France, Hungary, Italy, Portugal, Romania / texts: Gianni Berardino, Angelo Romagnoli, Raffaella Ilari i 6 autors més ; photos and video: Daniela Neri

Contributor(s):

Neri, Daniela [fotògraf]

Material type: Text

text
imatge fixa

Media type:

sense mediació

Carrier type:

volum

Subject(s):

Online resources:

Abstract: "The project "Playing Identities. Migration, Creolisation, Creation", funded with the support from EU Culture Programme 2007-2013, aims to interpret migration phenomena as instances of creolisation. Coordinated by the Santa Chiara Graduate School of Siena University and involving a wide international partnership, the original aspect of this project stands in the intuition of borrowing Glissant's poetical vision of creolisation and to apply it to two distinct processes of creation. ... On one side we choose Performing Arts, namely theatre, in order to produce a play in which artists from diverse theatrical backgrounds are forced to the negotiation of expressive codes, practices and meanings.Romania, France, Hungary, Poland, Italy. These are the countries the "Creole Performance Cycle" has been travelling across. There, artists of diverse provenances and backgrounds have met on the stage and have negotiated language, methods, topics, and forms of expression in order to produce a series of performances. Balletto Civile - the Italian theatre and dance company winner of the "Playing Identities" international call for artistic projects - has been the conductor of this creative process. So, its members had the task to set the rhythm on the path. Balletto Civile's members moved periodically across Europe, from Cluj to Conques, from Budapest to Łódź, at last reaching Siena. Along the way, they locked their eyes with those of the people they came across. creolimage_smallThe group's luggage was filled with skills and ideas. These in turn became questions, which they asked to the places and the artists they met. Together with the latters, Balletto Civile was involved in a role-play, which nally displayed both the hard work of mutual understanding they had gone through, and the urgent need of thinking about their own identity." -- web playingidentities.eu

Holdings
Item type	Current library	Home library	Call number	Copy number	Status	Notes	Date due	Barcode
Llibre	Biblioteca Barcelona	Biblioteca Barcelona BCN Lliure Accés	001.8 PLA (Browse shelf(Opens below))	1	Available	Donatiu Mercè Saumell		1900080597
Llibre	Biblioteca Vic	Biblioteca Vic OSONA-Vic	001.8 PLA (Browse shelf(Opens below))	1	Available	Donatiu Carles Salas		1900080598

"The project "Playing Identities. Migration, Creolisation, Creation", funded with the support from EU Culture Programme 2007-2013, aims to interpret migration phenomena as instances of creolisation. Coordinated by the Santa Chiara Graduate School of Siena University and involving a wide international partnership, the original aspect of this project stands in the intuition of borrowing Glissant's poetical vision of creolisation and to apply it to two distinct processes of creation. ... On one side we choose Performing Arts, namely theatre, in order to produce a play in which artists from diverse theatrical backgrounds are forced to the negotiation of expressive codes, practices and meanings.Romania, France, Hungary, Poland, Italy. These are the countries the "Creole Performance Cycle" has been travelling across. There, artists of diverse provenances and backgrounds have met on the stage and have negotiated language, methods, topics, and forms of expression in order to produce a series of performances. Balletto Civile - the Italian theatre and dance company winner of the "Playing Identities" international call for artistic projects - has been the conductor of this creative process. So, its members had the task to set the rhythm on the path. Balletto Civile's members moved periodically across Europe, from Cluj to Conques, from Budapest to Łódź, at last reaching Siena. Along the way, they locked their eyes with those of the people they came across. creolimage_smallThe group's luggage was filled with skills and ideas. These in turn became questions, which they asked to the places and the artists they met. Together with the latters, Balletto Civile was involved in a role-play, which nally displayed both the hard work of mutual understanding they had gone through, and the urgent need of thinking about their own identity." -- web playingidentities.eu

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