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The lenght and depth of acting / Edwin Duerr ; with a foreword by A. M. Nagler

Per: Autoria addicional: Tipus de material: TextTextEditor: New York : Holt, Rinehart and Winston, 1962Descripció: 590 pàgines; 24 cmContent type:
  • text
Media type:
  • sense mediació
Carrier type:
  • volum
Matèria/es: Abast i contingut: I—THE RISE AND FALL OF ACTING : 1—The Beginnings : The Instinct ; First Greek Professionals ; “Men As They Ought to Be” ; Comedians , Actors’ Contests ; Euripides ; The Comics Mature ; Actors’ Guilds , Greek Acting. 2—The Rejection: Plays in Rome ; A Trivial Craft ; Theatricality : Literary Interlopers ; Actors Take Charge , Tidbits of Theory ; Acting in India --II—THE RENEWAL OF ACTING: 3—Roughly a Thousand Years, 476–1450: The Instinct Survives ; In the Churches ; In the Towns ; In the Far East Again. 4 – One Hundred and Fifty Years, 1450–1600: In Clubs, Castles, Courts ; France ; England ; “Italy” ; Spain ; Public Theaters, 1550–1580 ; Acting as a Business, 1580–1600. 5 – The Italian Professionals: No Playwrights Wanted ; The Actor Is All, Alas! ; Slow, Significant Failure. 6 – Play Acting Accepted, 1600–1700: Actors Everywhere ; Professionals in France ; Set-back in England ; Kabuki ; Molière; La Comédie-Française ; The Restoration ; Acting Is Declamation -- III—THE CHANGES IN ACTING: 7—The Successful Eighteenth Century: Examinations ; The Book Betterton ; Before 1725 in Paris and London ; The First Riccoboni ; Other Lands ; Aaron Hill, Macklin, and Garrick ; Le Comédien (1747) ; The Younger Riccoboni ; The Second Hill ; More Garrick, More Nature ; Germany; Russia ; Diderot ; Elocution Triumphant ; Elocution in English. 8—The Perplexed Nineteenth Century: Some Rebels ; Reflections by Talma ; Critics and Kean ; Macready and Others ; Romantic Flare ; Tinges of Realism ; Realism After 1850 ; English Directors ; American Actors ; The Meininger ; Realism Rampant by 1875 ; Nonrealism ; Actor’s Choice? ; Coquelin’s Method ; Reality Reproduced -- IV—THE VARIETY OF ACTING: 9—The Mass-Culture Century: Prologue ; From Sweden to Duse ; To Theatricalize or Not? ; English-Speaking Actors ; After 1910: Copeau ; Expressionism ; Stanislavski Prepares ; Mostly Box Office ; American Accent in the 1920’s ; Stark Young ; Various Russians ; Finding a “System” ; 1930–1950 ; The Years Ahead -- Sources -- Important Writings on Acting [Bibliografia]
Fons
Tipus d'ítem Biblioteca actual Biblioteca d'origen Signatura topogràfica Estat Data de venciment Codi de barres
Llibre Biblioteca Barcelona Biblioteca Barcelona BCN Lliure Accés 792.028 DUE (Explora per prestatgeria(S'obre sota)) Disponible 1900087894

Inclou referències bibliogràfiques i índex

I—THE RISE AND FALL OF ACTING : 1—The Beginnings : The Instinct ; First Greek Professionals ; “Men As They Ought to Be” ; Comedians , Actors’ Contests ; Euripides ; The Comics Mature ; Actors’ Guilds , Greek Acting. 2—The Rejection: Plays in Rome ; A Trivial Craft ; Theatricality : Literary Interlopers ; Actors Take Charge , Tidbits of Theory ; Acting in India --II—THE RENEWAL OF ACTING: 3—Roughly a Thousand Years, 476–1450: The Instinct Survives ; In the Churches ; In the Towns ; In the Far East Again. 4 – One Hundred and Fifty Years, 1450–1600: In Clubs, Castles, Courts ; France ; England ; “Italy” ; Spain ; Public Theaters, 1550–1580 ; Acting as a Business, 1580–1600. 5 – The Italian Professionals: No Playwrights Wanted ; The Actor Is All, Alas! ; Slow, Significant Failure. 6 – Play Acting Accepted, 1600–1700: Actors Everywhere ; Professionals in France ; Set-back in England ; Kabuki ; Molière; La Comédie-Française ; The Restoration ; Acting Is Declamation -- III—THE CHANGES IN ACTING: 7—The Successful Eighteenth Century: Examinations ; The Book Betterton ; Before 1725 in Paris and London ; The First Riccoboni ; Other Lands ; Aaron Hill, Macklin, and Garrick ; Le Comédien (1747) ; The Younger Riccoboni ; The Second Hill ; More Garrick, More Nature ; Germany; Russia ; Diderot ; Elocution Triumphant ; Elocution in English. 8—The Perplexed Nineteenth Century: Some Rebels ; Reflections by Talma ; Critics and Kean ; Macready and Others ; Romantic Flare ; Tinges of Realism ; Realism After 1850 ; English Directors ; American Actors ; The Meininger ; Realism Rampant by 1875 ; Nonrealism ; Actor’s Choice? ; Coquelin’s Method ; Reality Reproduced -- IV—THE VARIETY OF ACTING: 9—The Mass-Culture Century: Prologue ; From Sweden to Duse ; To Theatricalize or Not? ; English-Speaking Actors ; After 1910: Copeau ; Expressionism ; Stanislavski Prepares ; Mostly Box Office ; American Accent in the 1920’s ; Stark Young ; Various Russians ; Finding a “System” ; 1930–1950 ; The Years Ahead -- Sources -- Important Writings on Acting [Bibliografia]

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