MARC details
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| campo de control de longitud fija |
04185nam a22003134 4500 |
| 001 - NÚMERO DE CONTROL |
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991061336301806706 |
| 003 - IDENTIFICADOR DEL NÚMERO DE CONTROL |
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ES-BaIT |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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20251003081716.0 |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
931201s1989 us |||||| |||| ||eng|c |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
0195057015 |
| 040 ## - FUENTE DE LA CATALOGACIÓN |
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| Centro catalogador/agencia de origen |
ES-BaMT |
| Lengua de catalogación |
cat |
| Centro/agencia transcriptor |
ES-BaMT |
| 080 ## - NÚMERO DE LA CLASIFICACIÓN DECIMAL UNIVERSAL |
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| Número de la Clasificación Decimal Universal |
792.04 GAR |
| 080 ## - NÚMERO DE LA CLASIFICACIÓN DECIMAL UNIVERSAL |
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| Número de la Clasificación Decimal Universal |
793.4.07 Diaghilev, Serge |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Garafola, Lynn |
| 9 (RLIN) |
20867 |
| 245 10 - MENCIÓN DE TÍTULO |
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| Título |
Diaghilev's Ballets russes / |
| Mención de responsabilidad, etc. |
Lynn Garafola |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Lugar de publicación, distribución, etc. |
New York : |
| Nombre del editor, distribuidor, etc. |
Oxford University Press, |
| Fecha de publicación, distribución, etc. |
1989 |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
xviii, 524 p. : |
| Otras características físicas |
il. ; |
| Dimensiones |
24 cm |
| 504 ## - NOTA DE BIBLIOGRAFÍA, ETC. |
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| Nota de bibliografía, etc. |
Inclou referències bibliogràfiques i índex. |
| 505 8# - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
Conté: 1. The liberating aesthetic of Michel Fokine -- 2. The vanguard poetic of Vaslav Nijinsky -- 3. The making of ballet modernism -- 4. The Twenties -- 5. Russian origins -- 6. Into the marketplace -- 7. Underwriting modernism: American intermezzo -- 8. Era of the Dance Room -- 9. Protean identities -- 10. Paris: the cultivated audience -- 11. London: Lords, Ladies, and Literati - - 12. The Postwar Audience -- Epilogue -- Appendix A: Works created by Michel Fokine, 1905-1917 -- Appendix B: Operas produced by Serge Diaghilev -- Appendix C: Ballets produced by Serge Diaghilev -- Notes -- Selected bibliography -- Photo credits -- Index -- Illustrations. |
| 520 ## - SUMARIO, ETC. |
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| Sumario, etc. |
In the history of twentieth-century ballet, no company has had so profound and far-reaching an influence as the Ballets Russes. It existed for only twenty years--from 1909 to 1929--but in that brief period it transformed ballet into a vital, modern art. The Ballets Russes created the first of this century's classics: Les Sylphides, Firebird, Petrouchka, L'Apr`es-midi d'un Faune, Le Sacre du Printemps, Parade, Les Noces, Les Biches, Apollo, and Prodigal Son, all of which continue to be performed today. It nurtured many of the century's greatest choreographers--Fokine, Nikinsky, Massine, Nijinska, and Balanchine--and through them influenced the direction of dance to this day. It brokered the century's most remarkable marriages between dance and the other arts, forging partnerships between composers such as Stravinsky, Debussy, Falla, Ravel, Prokofiev, and Satie, painters like Picasso, Bakst, Matisse, Derain, Braque, Gris and Rouault, and poets on the order of Hoffmansthal and Cocteau. From the dancers who passed through its ranks emerged the teachers and ballet masters who continued its work in cities large and small throughout the West. And, as if all this were not enough, the company also created a following for ballet that anticipated today's popular audiences. The era of the Ballets Russes is probably the most chronicled in dance history, yet this book is the first to explain the company as a totality--its art, enterprise, and audience. Taking a fresh look at familiar sources and incorporating fascinating archival material previously unexamined by Diaghilev scholars, Lynn Garafola paints an extraordinary portrait of the Ballets Russes, one that is bound to upset received opinion about the wellsprings and impact of early modernism. She traces the company's origins not only from Diaghilev and his circle but also from Fokine's revolutionary secession within the Russian Imperial Ballet, shows for the first time how the art of the Ballets Russes reflected its status as a complex economic enterprise, and reveals how Diaghilev created an audience that in turn shaped his company's changing identity. It is an amazing story with characters from all walks of life--titans of art, grandes dames of Continental society, anonymous stagehands, long-forgotten dancers, and theater managers from Monte Carlo to Tacoma--and Garafola tells it brilliantly. Anyone interested in our century's dance, music, art, fashion, and cultural history will have to read it.-- Editor |
| 600 17 - PUNTO DE ACCESO ADICIONAL DE MATERIA--NOMBRE DE PERSONA |
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| Nombre de persona |
Diaghilev, Serge, |
| Fechas asociadas al nombre |
1872-1929 |
| 9 (RLIN) |
16185 |
| 610 27 - PUNTO DE ACCESO ADICIONAL DE MATERIA--NOMBRE DE ENTIDAD CORPORATIVA |
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| Nombre de entidad corporativa o nombre de jurisdicción como elemento de entrada |
Ballets russes |
| 9 (RLIN) |
56009 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Companyies de dansa clàssica |
| Subdivisión geográfica |
Rússia |
| Subdivisión cronológica |
S. XX |
| 9 (RLIN) |
69164 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Empresaris teatrals |
| Subdivisión geográfica |
Rússia |
| Subdivisión cronológica |
S. XX |
| 9 (RLIN) |
71782 |
| 856 41 - LOCALIZACIÓN Y ACCESO ELECTRÓNICOS |
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| Nota pública |
Accés lliure |
| Identificador Uniforme del Recurso |
<a href="https://archive.org/details/diaghilevsballet1989gara/page/n5/mode/2up">https://archive.org/details/diaghilevsballet1989gara/page/n5/mode/2up</a> |
| 908 ## - COLOCAR PARÁMETRO DE COMANDO (RLIN) |
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| Colocar parámetro de comando |
MTà |
| -- |
CDMAE |
| 940 ## - EQUIVALENCIA O REFERENCIA-CRUZADA--TÍTULO UNIFORME [OBSOLETO] [solamente CAN/MARC] |
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| Título uniforme |
<a href="MTà">MTà</a> |
| 942 ## - ELEMENTOS DE ENTRADA AGREGADA (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación decimal universal |
| Tipo de ítem Koha |
Digital |
