000			03141nam a2200325 a 4500
001			991028018069706706
003			ES-BaIT
005			20260312105833.0
008			160422s2015 xxua 001 0 eng c
020			_a9780970834614
035			_a(ES-BaCBU).b66681881
040			_aES-BaCBU _bcat _cES-BaCBU
080			_a06
245	0	0	_aWhat makes a great exhibition? / _cPaula Marincola, editor
260			_aPhiladelphia, PA : _bThe Pew Center for Arts & Heritage, _ccop. 2015
300			_a184 p. : _bil. ; _c24 cm
500			_aÍndex
505	8		_aConté: Introduction: Practice Makes Perfect / Paula Marincola -- Show and Tell / Robert Storr -- Lieu of Higher Ground / Lynne Cooke -- You Talking To Me? On Curating Group Shows that Give You a Chance to Join the Group / Ralph Rugoff -- The Unstable Institution / Carlos Basualdo -- With Our Faces to the Rising Sun / Thelma Golden with Glenn Ligon -- Mies’s New National Gallery : Empty and Full / Detlef Mertins -- Design and Architecture / Paola Antonelli interviewed by Bennett Simpson -- Who’s afraid of gift-wrapped kazoos?/ Jeffrey Kipnis -- Handy-Crafts: A Doctrine / Glenn Adamson -- Temple/White Cube/Laboratory / Iwona Blazwick -- Making Space for Art / Mary Jane Jacob -- Questions of Practice / Mark Nash -- Wall Text / Ingrid Schaffner -- Afterword / Marian Godfrey -- Acknowledgments / Paula Marincola
520			_a"For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle.What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.”A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today" -- Pàgina web editorial
650		0	_aArt _xTècniques d'exposició _9168943
650		7	_aMuseologia _2lemac _957331
650		0	_aSemiòtica i museus _9168944
650		0	_aExposicions en museus _xManuals, guies, etc _9168945
700	1		_aMarincola, Paula _eed. _9168947
830			_aQuestions of practice _9168948
907			_a.b66681881 _b10-05-17 _c22-04-16 _d22-04-16 _em _fa _g- _heng _ixxu _j0 _k0
908			_aDHUB _aCDMAE
940			_aCVA7
942			_2udc _c1
999			_c137256 _d137256