000			03904ngm a2200505 i 4500
001			991061312109806706
003			ES-BaIT
005			20260203103912.0
008			250408s2008 ne ||| |-|||||q|| vleng|c
024	3		_a8712177054510
028	4	0	_a960020 _bIMM
040			_aES-BaIT _bcat _erda _cES-BaIT
080			_a793.4(086.8)
245	0	0	_aMagic fairy tales. _bThe prince and Cinderella. Ninel Kurgapkina benefit performance / _cThe Kirov Ballet
264		1	_a[Netherlands] : _bIMC Music, _c2008
264		4	_c© 1975
300			_a1 videodisc (DVD) (92 min): _bcolor, so; _c19 cm
336			_aimatge en moviment bidimensional _btdi _2rdacontent
337			_avídeo _bv _2rdamedia
338			_avideodisc _bvd _2rdacarrier
344			_adigital _bmagnètic _gestèreo _hDolby digital 5.1 _2rda
346			_bNTSC
347			_afitxer vídeo _bDVD vídeo _etotes les regions _2rda
505	8		_aConté: 1. Magic Fairy tales (1976) : ballet film of the third act ("Aurora's weeding") from the ballet "The sleeping beauty" / choreography by Marius Petipa ; music by Pyotr Ilyich Tchaikovsky ; Kirov Orchestra conducted by Victor Fedotov ; directed by Eugenia Popova - 2. The Prince and Cinderella (1975) : ballet film : a choreographic fantasy on the theme of Prokofiev's ballet "Cinderella" / choreography by Constantine Sergeev ; Kirov Orchestra conducted by Victor Fedotov ; directed by Oleg Riabokon - 3. Ninel Kurgapkina Benefit performance (1980) : Fragment from the ballet "Don Quixote" / choreography by Marius Petipa, music Ludwig Minkus ; Waltz / music Richard Strauss ; Pas de deux from the ballet "Harlequinade" / music Riccardo Drigo ; Pas de deux from the ballet "Le Corsaire" / choreography Marius Petipa ; music Adolphe Adam ; Waltz / music Dmitri Shostakovich ...
508			_aCoreografies: Marius Petipa, Constantine Sergeev
511	1		_aBallarins: Gabriella Komleva ; Sergey Vikulov ; Svetlana Efremova ; Ninel Kurgapkina
520			_aThe dazzling music and grand choreography of the Kirov Ballet, Russia's earliest and most enduring ballet company. Choreographic riches preserved in these rare dance films include part of Tchaikovsky's 'The Sleeping Beauty' - with the great Gabriella Komleva dancing Aurora, and with the traditional 19th-century choreography of Marius Petipa, who established the grandeur of the early Kirov style when it was known as the Imperial Russian Ballet. Also seen here is 'The Prince and Cinderella, ' a fantasia on Prokofiev's 'Cinderella, ' choreographed by the modern master Constantine Sergeev, who helped sustain Russian dominance in ballet in the twentieth century. And as a climax we're treated to a wealth of dancing from Ninel Kurgapkina, one of the most beloved of modern Russian ballerinas. When Kurgapkina dances the repertoire from 'Don Quixote' to a Strauss waltz to Drigo's 'Harlequinade, ' we are reminded yet again of the greatness of Russian ballet, the Kirov, and the tradition of ballet itself -- contenidor
650		4	_aDansa clàssica _xCoreografies _956589
650		4	_aDansa clàssica _xCoreografies _xFragments _994241
655		7	_aDansa filmada _2lemac _9168293
700	1		_aVikulov, Sergey _eballarí _9168296
700	1		_aEfremova, Svetlana _eballarí _9168297
700	1		_aKomleva, Gabriėla Trofimovna _eballarí _9168298
700	1		_aKurgapkina, Ninella _eballarí _9168299
700	1		_aPetipa, Marius, _d1818-1910 _ecoreògraf _955719
700	1		_aSergeev, K. M. _q(Konstantin Mikhailovich), _d1910-1992 _ecoreògraf _9136773
710	2		_aLeningradskii gosudarstvennyi akademicheskii teatr opery i baleta imeni S.M. Kirova _eballarí _9120553
730	0	2	_aSpiàsxaia krassàvitsa (Coreografia). _kFragment
730	0	2	_aCinderella (Coreografia)
740	4	2	_aThe Prince and Cinderella
740	0	2	_aNinel Kurgapkina benefit performance
908			_aCDMAE
940			_aCDMAE
942			_2udc _c5
999			_c136998 _d136998