000			03246nam a2200361 i 4500
001			991061300320906706
003			ES-BaIT
005			20250908104514.0
008			250311s1978 xxka||||r|||||0|1 0deng|c
020			_a0801411181
040			_aES-BaIT _bcat _erda _cES-BaIT
080			_a792.027(430)"17/18".07Goethe, Johann Wolfgang von,
100	1		_aCarlson, Marvin, _d1935- _eautor _9137249
245	1	0	_aGoethe and the Weimar theatre / _cMarvin Carlson
264		1	_aIthaca and London : _bCornell University Press, _c1978
300			_a328 pàgines : _bil·lustracions en blanc i negre ; _c24 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
504			_aInclou bibliografia, pàgines 319-321, i índex
520	1		_a"The gaps in our knowledge of the history of theatrical performance would seem to be apparent, but few scholars are working to fill them. Marvin Carlson is one of these. Although the fact that Goethe was a director as well as a playwright is generally known, it has been very difficult to find exact information in English on his staging and his work with actors. Now Carlson has written a detailed chronological study that provides us with documentation on all aspects of the Weimar theatre and makes clear Goethe's great importance for the history of directing." -- The Drama Review, 1979; 23(3), pàgina 116
520	2		_aSumari: 1. Amateur Theatricals, 1775–1786: Goethe Comes to Weimar ; First Productions in Weimar and Ettersburg ; A New Theatre. 2. Reorganization of the Theatre, 1787–1797: The Arrival of Schiller ; Goethe Becomes Intendant ; Lauchstädt and König Plants ; New Actors and New Plays ; Goethe and Schiller , August Wilhelm Iffland ; "An Angel Descending". 3. Wallenstein, Fall 1797–Fall 1799: The Preparation ; The Performance. 4. The Development of a Poetic Style, Fall 1799–Fall 1801: Mahomet, Macbeth, Maria Stuart ; The Jagemann Problem. 5. The Education of an Audience, Fall 1801–Spring 1805: The Iffland Controversy ; The Kotzebue Intrigue ; The New Lauchstädt Theatre ; Kotzebue Attempts to Withdraw ; New Works by Schiller and Goethe ; Julius Caesar ; Mme de Staël ; Wilhelmine Tell ; The Death of Schiller. 6. Goethe Alone, 1805–1817: The French Invasion ; Calderón, Werner, and Kleist ; Napoleon and a New Conflict ; New Plays and Masques ; Calderón and Shakespeare ; The War Comes to Weimar ; Epimenides and Zenobia ; A New Designer , The Loss of the Wolfs ; The Final Blow. 7. Goethe and the Theatre after His Departure. Overview: Goethe as a Director. Appendix: Goethe's Rules for Actors (1803)
600	1	7	_aGoethe, Johann Wolfgang von, _d1749-1832 _xCrítica i interpretació _2lemac _9160415
650		7	_aTeare _zAlemanya _zWeimar _xHistòria i crítica _2lemac _9166978
650		4	_aDirectors escènics _zAlemanya _yS. XVIII _9166979
650		4	_aDirectors escènics _zAlemanya _yS. XIX _9166980
650		4	_aDirecció escènica _zAlemanya _yS. XVIII _9166981
650		4	_aDirecció escènica _zAlemanya _yS. XIX _9166982
700	1		_aGoethe, Johann Wolfgang von, _d1749-1832 _922623 _eescriptor de contingut textual suplementari
908			_aCDMAE
940			_aCDMAE
942			_2udc _c1
999			_c136501 _d136501