000 04426ngm a22004814i 4500
001 991061425945206706
003 ES-BaIT
005 20250627104522.0
007 vd#mvaius
008 250626s2016 fr 087 vurus c
024 3 _a3760115301375
028 0 2 _aBAC137
_bBel air classiques
040 _aES-BaIT
_bcat
_erda
_cES-BaIT
041 0 _arus
_jeng
_jfre
_jger
_jkor
080 _a793.4.07 Grigorovich, Yuri(086.8)
245 0 0 _aYuri Grigorovich, the golden age /
_ca Bel Air Media Production in association with Ethnofund by comission of The Bolshoi Theatre of Russia ; film by Denis Sneguirev
264 1 _a[Paris] :
_bBel air classiques,
_c2016.
300 _a1 videodisc (87 min) :
_bso, color, amb algunes seqüències en blanc i negre ;
_c12 cm
336 _aimatge en moviment bidimensional
_btdi
_2rdacontent
337 _avídeo
_bv
_2rdamedia
338 _avideodisc
_bvd
_2rdacarrier
344 _adigital
_2rda
344 _bòptic
_2rdarm
344 _gestèreo
_2rdacpc
346 _bNTSC
_2rdabs
347 _afitxer vídeo
_2rdaft
347 _bDVD vídeo
500 _a"Youri Grigorovich, l'âge d'or" ; "The life and art of the Bolshoi's controversial choreographer"-- Contenidor
500 _aCopyright Bel air media : State academic Bolchoi theatre of Russia, 2015.
505 8 _aInclou imatges d'arxiu
508 _aYuri Grigorovich, Carlos Acosta, Boris Akimov, Maria Aleksandrova, Maria Belova, Natalia Bessmertnova, Vladimir Derevyanko, Nikolay Fadeechev, Jean Guizerix, Nina Kaptsova, Irina Kolpakova, Marina Kondratieva, Mikhail Laboukin, Mikhail Lavrosky, Andris Liepa, Maris Liepa, Valery Logunov, Ekaterina Maksimova, Irek Muhamedov, Anna Nikulina, Alla Osipenko, Maya Plisetskaya, Nilolay Tsiskaridze, Vlaadimir Vasiliev, Violette Verdy, Yuri Vladimirov.
520 _a"Denis Sneguirev’s documentary about Yuri Grigorovich (born 2 January 1927 in Leningrad), The Golden Age, takes its name from the last great ballet choreographed by Grigorovich for the Moscow Bolshoi, which he led from 1964 to 1995. His 31-year tenure at the healm of one of the world’s most prestigious companies coincides with the golden age of soviet ballet.Adored by some, vilified by others, Grigorovich was nicknamed the ‘Tsar of the Bolshoi’. He created several of the iconic ballets which were to bring his troupe fame in the Soviet Union and also internationally, at a time when dance was used as a propaganda tool in the delicate political relations between the West and the East. Spectacular productions like Ivan the Terrible and Spartacus, which combined ancient epics with great national frescos, were discovered by western audiences for the first time. Grigorovich’s art was at its best in these ample narratives, where he exploited the strength and virtuosity of his dancers, who were at this time unrivaled in the west.Denis Sneguirev’s documentary addresses Yuri Grigorovich directly, in the form of a letter. Interspersing interviews with artists and colleagues of Grigorovich we look back over the career of this dancer and choreographer, which from its origins in Leningrad, and later in Moscow, would bring him international renown. The director also includes several extracts of Grigorovich’s ballets, set in context with the history of Soviet Ballet and with history in general.Throughout his career Yuri Grigorovich was a man of contrasts and paradoxes. Some reproached him for pandering to those in power, and yet he was never a member of the Communist Party. Should we view this controversial man as an icon? As a living monument? A despot? Without entering into polemical territory, Denis Sneguirev’s film allows us to discover the many sides of a complex man, the artistic influence he exerted over a period of three decades, and the heritage he leaves today to the world of dance." -- Web Bel Air Classics
546 _aVersió original en rus. Subtítols opcionals en anglès, franccès, alemany i coreà.
600 1 4 _aGrigorovich, Jurij
_923555
650 0 _aCoreògrafs de dansa clàssica
_zRússia
_yS. XX
_969581
700 1 _aSneguirev, Denis,
_d1976-
_edirector,
_eautor
_9162519
700 1 _aGrigorovich, Jurij
_ecoreògraf
_923555
710 2 _aBol'shoi teatr SSSR.
_bBalet
_966595
710 _aBel Air Media (Firma)
_eempresa productora
_9127776
710 2 _aEthnofund
_eempresa productora
_9166296
908 _aCDMAE
942 _2udc
_c5
999 _c136270
_d136270