000			03190cam a2200409 i 4500
001			991061369922506706
003			ES-BaIT
005			20250603121556.0
008			240909s2025 xxka 001 0 eng d
020			_a9781032453873
020			_a1032453877
020			_a9781032454467
020			_a1032454466
040			_aES-BaIT _bcat _erda _cES-BaIT
082	0	4	_a792(460)"1968/1982"
100	1		_aRodriguez-Solás, David _eautor _9137215
245	1	0	_aPerforming the transition to democracy : _btheater and performance in 1970s Spain / _cDavid Rodríguez-Solás
264		1	_aLondon ; New York _bRoutledge, Taylor et Francis Group, _c2025
300			_aviii, 164 pàgines : _bil·lustracions en blanc i negre
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
490	1		_aRoutledge advances in theatre & performance studies
500			_aReprodueix 6 documents del fons del Centre de Documentació i Museu de les Arts Escèniques (MAE)
504			_aInclou referències bibliogràfiques i índex
505	8		_aConté: Introduction -- 1. Resignifying the past and the performance tradition -- 2. Laying the groundwork for the theater of the future -- 3. European tours of independent theater in the 1970s -- 4. The fight for democracy takes to the streets -- Conclusion.
520	3		_a"This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story-one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the author's own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance, music and ritual, the establishment of performing spaces and festivals, the development of touring networks as a way to evade censorship, and the creation of networks of support that opposed diverse forms of violence and repression. This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s.".
650		7	_aTeatre _xAspectes polítics _xHistòria _zEspanya _yS. XX _2lemac _9137216
650		4	_aTeatre independent _zEspanya _xHistòria i crítica _9130814
650		7	_aDemocratització _zEspanya _xHistòria i crítica _2lemac _9165980
650		7	_aFranquisme _956830
651		7	_aEspanya _xHistòria _y1975-1982, Transició _2lemac _9156390
830			_aRoutledge advances in theatre and performance studies _993490
908			_aCDMAE
940			_aCDMAE
942			_2udc _c1
999			_c136188 _d136188