000 03190cam a2200409 i 4500
001 991061369922506706
003 ES-BaIT
005 20250603121556.0
008 240909s2025 xxka 001 0 eng d
020 _a9781032453873
020 _a1032453877
020 _a9781032454467
020 _a1032454466
040 _aES-BaIT
_bcat
_erda
_cES-BaIT
082 0 4 _a792(460)"1968/1982"
100 1 _aRodriguez-Solás, David
_eautor
_9137215
245 1 0 _aPerforming the transition to democracy :
_btheater and performance in 1970s Spain /
_cDavid Rodríguez-Solás
264 1 _aLondon ; New York
_bRoutledge, Taylor et Francis Group,
_c2025
300 _aviii, 164 pàgines :
_bil·lustracions en blanc i negre
336 _atext
_btxt
_2rdacontent
337 _asense mediació
_bn
_2rdamedia
338 _avolum
_bnc
_2rdacarrier
490 1 _aRoutledge advances in theatre & performance studies
500 _aReprodueix 6 documents del fons del Centre de Documentació i Museu de les Arts Escèniques (MAE)
504 _aInclou referències bibliogràfiques i índex
505 8 _aConté: Introduction -- 1. Resignifying the past and the performance tradition -- 2. Laying the groundwork for the theater of the future -- 3. European tours of independent theater in the 1970s -- 4. The fight for democracy takes to the streets -- Conclusion.
520 3 _a"This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story-one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the author's own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance, music and ritual, the establishment of performing spaces and festivals, the development of touring networks as a way to evade censorship, and the creation of networks of support that opposed diverse forms of violence and repression. This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s.".
650 7 _aTeatre
_xAspectes polítics
_xHistòria
_zEspanya
_yS. XX
_2lemac
_9137216
650 4 _aTeatre independent
_zEspanya
_xHistòria i crítica
_9130814
650 7 _aDemocratització
_zEspanya
_xHistòria i crítica
_2lemac
_9165980
650 7 _aFranquisme
_956830
651 7 _aEspanya
_xHistòria
_y1975-1982, Transició
_2lemac
_9156390
830 _aRoutledge advances in theatre and performance studies
_993490
908 _aCDMAE
940 _aCDMAE
942 _2udc
_c1
999 _c136188
_d136188