000			04467nam a22004334i 4500
001			991061303439306706
003			ES-BaIT
005			20250515130548.0
008			250317s1998 fi ||||r|||||0|| 0 eng|c
020			_a951444440X
040			_aES-BaIT _bcat _erda _cES-BaIT
041	1		_aeng _bfinn _hfinn
080			_a793.5
100	1		_aParviainen, Jaana _eautor _9165759
245	1	0	_aBodies moving and moved : _ba phenomenological analysis ot the dancing subject and the cognitive and ethical values of dance art / _cJaana Parviainen
264		1	_aTampere : _bTampere University Press, _c1998
300			_a197 pàgines; _c15 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
500			_aTítol original: Liikuvia Ja Liikutettuja Kehoja
500			_aInclou referències bibliogràfiques
502			_gDoctoral dissertation _cTampere University. Department of Mathematics, Statistics and Philosophy _d1998
504			_aBibliografia, pàgines 179-192
505	0		_aI. A PHENOMENOLOGICAL THEORY OF THE BODY. 1. The Cartesian Gaze and the Objectification of the Body . 2. The Docile Body, Body Politics and the Social Body. 3. Returning to the Philosophy of Existence. 4. The Lived Body 33 (i) The body-self . (ii) The objective body. (iii) Perception and the sentient, sensuous body. (iv) Temporality and spatiality. (v) Motility. (vi) Bodily knowledge. (vii) Body memory and recollection. 5. The Body in the Process of Change. 6. Flesh and Reversibility. 7. The Self and Otherness -- II. THE ROLE OF DANCE TRADITION AND THE DANCE FIELD 1. Dancing as a Living Bodily Heritage. (i) Tradition. (ii) A narrative of modern dance. 2. Autonomous Art Field. (i) Objective art and pure aesthetics.(ii) Art as a social field. (iii) The dance field. 3. The Body Politics of the Dance Field and Dance Aesthetics. (i) The frame of movement aesthetics. (ii) Dance technique and technical competence.(iii) Dancers as material. (iv) Dancing for pure gaze. 4. Towards Ethical Reflections on Dance – III. THE DANCER’S PATH. 1. Existential Project . (i) Givenness, freedom, and choosing oneself . (ii) The dancer’s projection and practice of the self. 2. Path. (i) The transformation of the body. (ii) The dancer’s knowledge and skills as a path. (iii) Dialogue with the world. (iv) Poetising meanings through the moving body. 3. Sorge and Manque as Existential Reasons for Artist Production. IV. TOWARDS AN ONTOLOGY OF DANCE AS A WORK OF ART. 1. Martin Heidegger’s Conception of the Work of Art. 2. Beyond Pure Dance Aesthetics. (i) Wholeness and the work as a world. (ii) The call to authenticity. 3. Dancework. (i) Theme. (ii) Choreographic process and collaboration. (iii) Intertwining bodily movements, space/place, and other materials of dancework. 4. Performance.(i) Momentness and nonproductivity. (ii) Reversibility of perception in performance
520			_a"Developing a phenomenological theory of the body which focuses on the analysis of movement, Jaana Parviainen outlines in new terms the dancing subject in contemporary dance, exploring the cognitive and ethical values of dance practice and danceworks. The present study explains the moral issues of dance art not only as representation or symbolic presentation, but with the human body itself as the standpoint from which moral issues emerge, as the subject of action itself. Developing a philosophical dance discourse, Parviainen brings both Western philosophy as a tradition of thinking and Western dance as a tradition of bodily movement into a mutual dialogue.The ontological standpoint is Maurice Merleau-Ponty's phenomenology of perception and its theory of the body. In addition to Merleau-Ponty's theory of the body, the study draws on the work of David Michael Levin,, Michel Foucault, Pierre Bourdieu and Martin Heidegger." -- Contracoberta
650		7	_aDansa _xFilosofia _2lemac _956578
650		7	_aDansa contemporània _2lemac _956608
650		7	_aPerformance (Art) _2lemac _957517
650		7	_aMoviment, Estètica del _2lemac _957328
650		7	_aDansa _xAspectes ètics i morals _2lemac _9126036
650		7	_aBallarins _xPsicologia _2lemac _956295
650		7	_aBallarins _xFormació _2lemac _980154
655		7	_aTesis i dissertacions acadèmiques _2lemac
856	4	1	_zAccés lliure (Trepo) _uhttps://trepo.tuni.fi/handle/10024/68138
908			_aCDMAE
940			_aCDMAE
942			_2udc _cDIGITAL
999			_c136083 _d136083