000			02984nam a22003494i 4500
001			991036927509706706
003			ES-BaIT
005			20240904103008.0
008			170516s2017 xxka|||| |||||0|| 0 eng|c
020			_a9781472588180
035			_a(ES-BaCBU).b69096740
040			_aES-BaMCB _bcat _erda _cES-BaMCB
080			_a930.25:7.038(Per)
245	0	0	_aDocumenting performance : _bthe context and processes of digital curation and archiving / _cedited by Toni Sant
250			_aFirst published
264		1	_aLondon; New York : _bBloomsbury Academic, _c2017
300			_a362 pàgines : _bil·lustracions ; _c22 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
500			_aÍndex
504			_aInclou referències bibliogràfiques
504			_aBibliografia pàgines 323-349
520			_a"Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create. In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"-- Contracoberta
650		7	_aPerformance (Art) _957517
650		0	_aArxius audiovisuals _xDirecció i administració _2lemac _9111379
700	1		_aSant, Toni _eeditor literari _9164534
907			_a.b69096740 _b15-06-21 _c16-05-17 _d16-05-17 _em _fa _g- _heng _ixxk _j0 _k2
908			_aMACBA _aCDMAE
940			_aMACBA
942			_2udc _c1
999			_c135453 _d135453