000 | 02112cam a2200349 i 4500 | ||
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001 | 991061139069006706 | ||
003 | ES-BaIT | ||
005 | 20240606142658.0 | ||
008 | 240606s2002 xxu 000 0 eng c | ||
020 |
_a1403960283 _q(rústica) |
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020 |
_a9781403960283 _q(rústica) |
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035 | _a(OCoLC)ocm51219873 | ||
040 |
_aES-BaIT _bcat _erda _cES-BaIT |
||
080 | _a792.028.31 | ||
100 |
_aMarshall, Lorna, _d1953- _eautor _997666 |
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245 | 1 | 4 |
_aThe body speaks : _bperformance and expression / _cLorna Marshall ; foreword by Yoshi Oida |
250 | _aFirst Palgrave MacMillan paperback editon | ||
264 | 1 |
_aNew York : _bPalgrave Macmillan, _cdecember 2002 |
|
300 |
_axiv, 218 pàgines ; _c21 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_asense mediació _bn _2rdamedia |
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338 |
_avolum _bnc _2rdacarrier |
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500 | _aPublicat originàriament: London : Methuen, 2001 | ||
505 | 0 | _apt. 1. Discovery and preparation -- Connecting to the body -- Impulse and response -- Emotion -- Voice and words -- What stops us working -- Going further -- pt. 2. Putting it into practice -- Connecting to others -- Character -- The audience -- Hints on style and technique. | |
520 | _a"Lorna Marshall's book, The body speaks, is a fundamental rethinking of our relationship to the body and its role in performance. Seventy percent of everyday conversation is conveyed through body language. Lorna Marshall shows us how to recognize and lose unwanted physical inhibitions that we've learned throughout life. Good performers--no matter whether they're trapeze artists or Shakespearean actors--are able to fully reach their audience and engage with them because they have learned to use their bodies to their best effect. Marshall encourages actors in training as well as those already working on the stage to unleash our potential and express ourselves more clearly." -- Editorial | ||
650 | 7 |
_aMoviment (Interpretació) _957327 |
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650 | 7 |
_aInterpretació _xTècniques _957101 |
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700 | 1 |
_aOida, Yoshi _eescriptor d'un pròleg _936675 |
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908 | _aCDMAE | ||
940 | _aCDMAE | ||
942 |
_2udc _c1 |
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999 |
_c135236 _d135236 |