000			02836nam a2200373 i 4500
001			vtls002911580
003			ES-BaIT
005			20211011082824.0
008			201223s2011----xxu||| |r|||||0|| | eng|c
010			_a2911580
020			_a9781107005495
035			_ab74751505
039		9	_a202101261355 _balvarezrb _c202012230903 _dalvarezrb _y202012230903 _zalvarezrb
040			_aES-BaIT _bcat _erda _cES-BaIT
080			_a793.4"17"
100	1		_aNye, Edward, _eautor _9154436
245	1	0	_aMime, music and drama on the eighteenth-century stage : _bthe ballet d'action / _cEdward Nye
264		1	_aCambridge : _bCambridge University Press, _c2011
300			_axi, 326 pàgines : _bil·lustracions; _c25 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
504			_aInclou referències bibliogràfiques i Índex
505	8		_aConté: Pt I. The Ballet d'Action in Historical Context: 1. The voice and the body in the enlightenment -- 2. A revival of Roman pantomime? -- 3. No place for harlequin -- 4. Decroux and Noverre: distant cousins? -- pt. II. The Ballet d'Action in Close-Up: Dramatic Principles: 5. Character and action -- 6. Dialogues in mime -- 7. Choreography is painterly drama -- 8. The admirable consent between music and action -- 9. Putting performance into words -- Conclusions -- Appendix
520			_a"The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre" -- Contracoberta
650		4	_aDansa clàssica _zEuropa _xHistòria _yS. XVIII _9154437
650		7	_aTeatre _zEuropa _xHistòria _yS. XVIII _2lemac _987207
650		7	_aPantomima _zEuropa _xHistòria _yS. XVIII _2lemac _9154438
650		7	_aMúsica _zEuropa _yS. XVIII _xHistòria i crítica _22lemac _9154439
940			_aCVA15
949			_AVIRTUAITEM _D10040 _G10040 _X1 _61900081462 _a793.4 NYE
998			_aVIRTUA
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999			_c130446 _d130446