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003			ES-BaIT
005			20211011082823.0
008			201223s2013----xxk||| |r|||||0|| | eng|c
010			_a2911579
020			_a9780199565320
035			_ab74753162
039		9	_a202101261356 _balvarezrb _c202012230813 _dalvarezrb _y202012230813 _zalvarezrb
040			_aES-BaIT _bcat _erda _cES-BaIT
080			_a793
100	1		_aJones, Susan, _eautor _9154435
245	1	0	_aLiterature, Modernism, and Dance / _cSusan Jones
264		1	_aOxford : _bOxford University Press, _c2013
300			_ax, 346 pàgines : _bil·lustracions, fotografies en blanc i negre ; _c24 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
504			_aInclou referències bibliogràfiques i Índex
505	8		_aConté: Introduction -- A poetics of potentiality: Mallarmé, Fuller, Yeats, and Graham -- Nietzsche, modernism, and dance: Dionysian or Apollonian? -- From dance to movement: Eurhythmics, expressionism, and literature -- Diaghilev and British writing -- Two modern classics: The Rite of Spring and Les Noces -- The 'unheard rhythms' of Virginia Woolf -- 'Savage and superb': primitivism in text and dance -- Massine, modernisms, and the integrated arts -- Ezra Pound on kinaesthetics, the Russian Ballet, and machines -- 'At the still point': T.S. Eliot, dance and a transatlantic poetics -- Ballet Rambert and dramatic dance -- Samuel Beckett and choreography
520			_a"This book explores the complex relationship between literature and dance in the era of modernism. During this period an unprecedented dialogue between the two art forms took place, based on a common aesthetics initiated by contemporary discussions of the body and gender, language, formal experimentation, primitivism, anthropology, and modern technologies such as photography, film, and mechanisation. The book traces the origins of this relationship to the philosophical antecedents of modernism in the nineteenth century and examines experimentation in both art forms. The book investigates dance's impact on the modernists' critique of language and shows the importance to writers of choreographic innovations by dancers of the fin de siècle, of the Ballets Russes, and of European and American experimentalists in non-balletic forms of modern dance. A reciprocal relationship occurs with choreographic use of literary text. " -- Contracoberta
650		7	_aLiteratura i dansa _2lemac _966356
650		7	_aModernisme (Literatura) _2lemac _957306
940			_aCVA15
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998			_aVIRTUA
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