000 | 01664nam a2200337 i 4500 | ||
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001 | vtls002911518 | ||
003 | ES-BaIT | ||
005 | 20211011082822.0 | ||
008 | 201215s2012----xxu||| |r|||||0|| | eng|c | ||
010 | _a2911518 | ||
020 | _a9780199772629 | ||
035 | _ab74718307 | ||
039 | 9 |
_a202101261416 _balvarezrb _c202012151342 _dalvarezrb _y202012151342 _zalvarezrb |
|
040 |
_aES-BaIT _bcat _erda _cES-BaIT |
||
080 | _a791.43:793 | ||
080 | _a793:791.43 | ||
100 | 1 |
_aRosenberg, Douglas, _eautor _9154287 |
|
245 | 1 | 0 |
_aScreendance: _binscribing the ephemeral image/ _cDouglas Rosenberg |
264 | 1 |
_aNew York : _bOxford University Press, _c[2012] |
|
300 |
_axv, 216 pàgines : _bil·lustracions ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_asense mediació _bn _2rdamedia |
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338 |
_avolum _bnc _2rdacarrier |
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504 | _aInclou referències bibliogràfiques i Índex | ||
505 | 8 | _aConté: Introduction: Inscribing Hybridity -- 1. Archives and Architecture -- 2. Mediated Bodies: From Photography to Cine-Dance -- 3. Recorporealization and the Mediated Body -- 4. The Advent of Video Culture -- 5. The Bride is Dance -- 6. Excavating Genres -- 7. Curating the Practice -- 8. Seeing is Forgetting the Name of the Thing One Sees, or Connoisseurship in Screendance -- 9. Toward a Theory of Screendance -- 10. Negotiating the Academy | |
650 | 7 |
_aDansa en la cinematografia, la televisió, etc. _2lemac _956611 |
|
940 | _aCVA15 | ||
949 |
_AVIRTUAITEM _D10040 _G10040 _X1 _61900081438 _a793:791.43 ROS |
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998 | _aVIRTUA | ||
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999 |
_c130388 _d130388 |