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001 | vtls002911074 | ||
003 | ES-BaIT | ||
005 | 20211011082803.0 | ||
008 | 200903t20192019xxkaf b 001 0deng c | ||
010 | _a2911074 | ||
020 |
_a9780854300846 _q(cartoné) |
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020 |
_a0854300848 _q(cartoné) |
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035 | _ab74275094 | ||
039 | 9 |
_a202009041055 _brieravj _c202009031302 _dalvarezrb _y202009031302 _zalvarezrb |
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040 |
_aES-BaIT _bcat _erda _cES-BaIT |
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043 | _ae-uk-en | ||
080 | _a792.027.07 | ||
100 | 1 |
_aBaker, Jean, _eautor _9153066 |
|
245 | 1 | 0 |
_aSarah Baker and her Kentish theatres, 1737-1816 : _bchallenging the status quo / _cJean Baker |
264 | 1 |
_aLondon : _bSociety for Theatre Research, _c2019 |
|
264 | 4 | _c©2019 | |
300 |
_axix, 262 pàgines, 8 pàgines de làmines no numerades : _bil·lustracions (algunes en color) ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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336 |
_aimatge fixa _bsti _2rdacontent |
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_asense mediació _bn _2rdamedia |
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_avolum _bnc _2rdacarrier |
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490 | 1 |
_a[Annual publication ; _v2018-2019] |
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500 | _aNom de la col·lecció agafat de la pàgina web de l'editor | ||
500 | _aISBN imprés en la contracoberta té un zero de més (imprés com 97800854300846) ; l' ISBN correcte (9780854300846) es troba imprés en el verso de portada | ||
504 | _aInclou referències bibliogràfiques (pàgines 239-255) i índex | ||
520 | _a"Sarah Baker was an illiterate fairground performer who became one of the most successful self-made women of her time. Born in 1737, she grew up travelling the country with her mother and younger sister in order to entertain crowds at country fairs and race meetings. In the early 1770s Sarah, recently widowed and with three young children, took over the small family troupe and, in the face of fierce opposition from male rivals, began to concentrate upon Kent. Temporary makeshift facilities were their only performance venues until 1789, when she opened the first of the four 'great grand' theatres she built in the county: Canterbury, Rochester, Maidstone and Tunbridge Wells. Across the 1790s she played a unique and hugely influential role in the rapidly evolving towns where she concentrated her activities. After her death in 1816 her estate was valued at more than 16,000 (in excess of 1.5 million today).--Sarah Baker's long life spanned a turbulent period of change which marked her experiences. Robert Walpole's political insecurities, William Wilberforce's evangelical concern with the nation's moral fibre, William Pitt's policy of war with France, even the French Revolution, all had life-changing consequences for Sarah and her family. By presenting her unlikely transformation from strolling player to wealthy entrepreneur in relation to the pressures under which she operated, this book casts new light not only on the role of Georgian provincial theatre but also on the volatile times in which Sarah Baker lived" -- Contracoberta | ||
600 | 1 | 0 |
_aBaker, Sarah, _d1737-1816 _9153067 |
650 | 4 |
_aTeatres _zAnglaterra _xHistòria _yS. XVIII _9153068 |
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650 | 4 |
_aCompanyies teatrals _xHistòria _yS. XVIII _9153069 |
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650 | 4 |
_aDirectores escèniques _zAnglaterra _xBiografia _9153070 |
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651 | 0 |
_aKent (Anglaterra) _xHistòria _yS. XVIII _9153071 |
|
710 | 2 |
_aSociety for Theatre Research, _eentitat editora _954827 |
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830 | 0 |
_aAnnual publication (Society for Theatre Research) ; _v2018-19 _9153072 |
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940 | _aIT | ||
949 |
_AVIRTUAITEM _D10040 _G10040 _X1 _61900080660 _a792.027.07 BAKER |
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998 | _aVIRTUA | ||
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999 |
_c129948 _d129948 |