000 03728nam a2200481 i 4500
001 vtls002911074
003 ES-BaIT
005 20211011082803.0
008 200903t20192019xxkaf b 001 0deng c
010 _a2911074
020 _a9780854300846
_q(cartoné)
020 _a0854300848
_q(cartoné)
035 _ab74275094
039 9 _a202009041055
_brieravj
_c202009031302
_dalvarezrb
_y202009031302
_zalvarezrb
040 _aES-BaIT
_bcat
_erda
_cES-BaIT
043 _ae-uk-en
080 _a792.027.07
100 1 _aBaker, Jean,
_eautor
_9153066
245 1 0 _aSarah Baker and her Kentish theatres, 1737-1816 :
_bchallenging the status quo /
_cJean Baker
264 1 _aLondon :
_bSociety for Theatre Research,
_c2019
264 4 _c©2019
300 _axix, 262 pàgines, 8 pàgines de làmines no numerades :
_bil·lustracions (algunes en color) ;
_c24 cm
336 _atext
_btxt
_2rdacontent
336 _aimatge fixa
_bsti
_2rdacontent
337 _asense mediació
_bn
_2rdamedia
338 _avolum
_bnc
_2rdacarrier
490 1 _a[Annual publication ;
_v2018-2019]
500 _aNom de la col·lecció agafat de la pàgina web de l'editor
500 _aISBN imprés en la contracoberta té un zero de més (imprés com 97800854300846) ; l' ISBN correcte (9780854300846) es troba imprés en el verso de portada
504 _aInclou referències bibliogràfiques (pàgines 239-255) i índex
520 _a"Sarah Baker was an illiterate fairground performer who became one of the most successful self-made women of her time. Born in 1737, she grew up travelling the country with her mother and younger sister in order to entertain crowds at country fairs and race meetings. In the early 1770s Sarah, recently widowed and with three young children, took over the small family troupe and, in the face of fierce opposition from male rivals, began to concentrate upon Kent. Temporary makeshift facilities were their only performance venues until 1789, when she opened the first of the four 'great grand' theatres she built in the county: Canterbury, Rochester, Maidstone and Tunbridge Wells. Across the 1790s she played a unique and hugely influential role in the rapidly evolving towns where she concentrated her activities. After her death in 1816 her estate was valued at more than 16,000 (in excess of 1.5 million today).--Sarah Baker's long life spanned a turbulent period of change which marked her experiences. Robert Walpole's political insecurities, William Wilberforce's evangelical concern with the nation's moral fibre, William Pitt's policy of war with France, even the French Revolution, all had life-changing consequences for Sarah and her family. By presenting her unlikely transformation from strolling player to wealthy entrepreneur in relation to the pressures under which she operated, this book casts new light not only on the role of Georgian provincial theatre but also on the volatile times in which Sarah Baker lived" -- Contracoberta
600 1 0 _aBaker, Sarah,
_d1737-1816
_9153067
650 4 _aTeatres
_zAnglaterra
_xHistòria
_yS. XVIII
_9153068
650 4 _aCompanyies teatrals
_xHistòria
_yS. XVIII
_9153069
650 4 _aDirectores escèniques
_zAnglaterra
_xBiografia
_9153070
651 0 _aKent (Anglaterra)
_xHistòria
_yS. XVIII
_9153071
710 2 _aSociety for Theatre Research,
_eentitat editora
_954827
830 0 _aAnnual publication (Society for Theatre Research) ;
_v2018-19
_9153072
940 _aIT
949 _AVIRTUAITEM
_D10040
_G10040
_X1
_61900080660
_a792.027.07 BAKER
998 _aVIRTUA
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999 _c129948
_d129948