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003			ES-BaIT
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008			190607s2015 xxua |r 000 0 eng|c
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020			_a9780809089161
035			_ab72863389
039		9	_a201907021436 _brieravj _c201906071048 _dalvarezrb _y201906071048 _zalvarezrb
040			_aES-BaIT _bcat _erda _cES-BaIT
080			_a7.01
100	1		_aNoë, Alva, _eautor _9150088
245	1	0	_aStrange tools : _bart and human nature / _cAlva Noë
250			_aFirst edition
264		1	_aNew York : _bHill and Wang, a division of Farrar, Straus and Giroux, _c[2015]
300			_axiii, 285 pàgines ; _c24 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
504			_aInclou referències bibliogràfiques
505	8		_aConté: Getting organized -- Reorganizing ourselves -- Designers by nature -- Art loops and the garden of eden -- Art, evolution, and the puzzle of puzzles -- A short note on ecstasy, sports, and humor -- Philosophical objects -- See me if you can! -- Why is art so boring? -- Art and the limits of neuroscience -- Art is a philosophical practice, and philosophy an aesthetic one -- Making pictures -- Using models -- Pictorial strategies -- Air guitar styles -- The sound of music -- A very abbreviated and highly opinionated history of aesthetics
520			_a"What is art? Why does it matter to us? What does it tell us about ourselves? Normally, we look to works of art in order to answer these fundamental questions. But what if the objects themselves are not what matter? in 'Strange Tools: Art and Human nature, ' the philosopher and cognitive scientist Alva Noë, art argues that our obsession with works of art has gotten in the way of understanding how art works on us. For Noë, art isn't a phenomenon in need of an explanation but a mode of research, a method of investigating what makes us human - a strange tool. Art isn't just something to look at or listen to - it is a challenge, a dare to try to make sense of what it is all about. Art aims not for satisfaction but for confrontation, intervention, and subversion. Through diverse and provocative examples from the history of art-making, Noë reveals the transformative power of artistic production. By staging a dance, choreographers cast light on the way bodily movement organizes us. Painting goes beyond depiction and representation to call into question the role of pictures in our lives. Accordingly, we cannot reduce art to some natural aesthetic sense or trigger; recent efforts to frame questions of art in terms of neurobiology and evolutionary theory alone are doomed to fail. By engaging with art, we are able to study ourselves in profoundly novel ways. In fact, art and philosophy have much more in common than you might think. Reframing the conversation around artists and their craft, 'Strange Tools' is a daring and stimulating intervention in contemporary thought" -- Contracoberta
650		4	_aArt _xPsicologia _956204
907			_a.b72863389 _b07-06-19 _c23-05-19 _d23-05-19 _em _fa _g- _heng _ixxu _j0 _k0
940			_aCVA15
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