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003			ES-BaIT
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008			190604s2017 xxka||| b||| 001 0 eng|c
010			_a2909792
020			_a9781350014312 _q(cartoné)
020			_a9781350087408 _q(rústica)
035			_ab72869689
039		9	_a201906041440 _balvarezrb _y201906041440 _zalvarezrb
040			_aES-BaIT _bcat _erda _cES-BaIT
043			_ae-ur---
080			_a7"19"
100	1		_aSirotkina, Irina, _eautor _9150025
245	1	4	_aThe Sixth sense of the avant-garde : _bdance, kinaesthesia and the arts in revolutionary Russia / _cIrina Sirotkina and Roger Smith
264		1	_aLondon : _bMethuen Drama, _c2017
300			_aix, 217 pàgines : _bil·lustracions ; _c23 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
490	1		_aMethuen drama
500			_aReimpressions: 2019
500			_aInclou bibliografia i índex
505	8		_aConté: Introduction: Movement and exuberant modernism Chapter 1 The sixth sense -- The senses -- Muscular feeling and kinaesthesia Chapter 2 Search for deeper knowledge -- The kinaesthetic intellect -- 'The higher sensitivity' -- Kinaesthesia and synaesthesia Chapter 3 Expression in dance -- The new dance -- The Russian Hellenes -- 'Ach, the devil take it, they're dancing here again' Chapter 4 Speaking movement -- The perfect language: Andrei Bely on gesture -- The dance-word: the creative union of Esenin and Duncan -- Word plasticity: the budetliane and the bare-footed Chapter 5 By 'the fourth way' -- The mystic arts -- From Dalcroze to Gurdjieff -- 'Presence' Chapter 6 Thinking with the body -- Mayakovsky dances the fox-trot -- Brik-dance -- Who thought up biomechanics? Chapter 7 Art as bodily knowledge -- Technique -- Kinaesthesia in culture Further reading -- Notes -- Index
520			_a"The touch and movement senses have a large place in the modern arts. This is widely discussed and celebrated, often enough as if it represents a breakthrough in a primarily visual age. This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff. Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life. "-- Editor
650		7	_aAvantguarda (Estètica) _zRússia _xHistòria _yS. XX _2lemac _9150026
650		7	_aCinestèsia _2lemac _966303
650		7	_aPsicomotricitat _2lemac _957621
650		7	_aDansa _xFilosofia _2 _956578
650		7	_aDansa _zRússia _yS. XX _2lemac _9150027
650		7	_aLiteratura experimental _zRússia _yS. XX _xHistòria i crítica _2lemac _9150028
650		7	_aModernisme (Literatura) _zRússia _2lemac _9150029
700	1		_aSmith, Roger, _d1945- _eautor _9150030
830		0	_aMethuen drama _955196
907			_a.b72869689 _b04-06-19 _c27-05-19 _d27-05-19 _em _fa _g- _heng _ixxk _j0 _k0
940			_aCVA7
949			_AVIRTUAITEM _D10040 _G10040 _X1 _61900079925 _a7"19" SIR
998			_aVIRTUA
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