| 000 | 05658nam a2200505 i 4500 | ||
|---|---|---|---|
| 001 | vtls002905963 | ||
| 003 | ES-BaIT | ||
| 005 | 20211008113900.0 | ||
| 008 | 171027s2017 it adgh b 001 0 eng c | ||
| 010 | _a2905963 | ||
| 020 | _a9788881095056 | ||
| 020 | _a888109505X | ||
| 035 | _ab69552046 | ||
| 039 | 9 |
_a202103081730 _bgarrigaln _c201710300940 _drieravj _c201710271055 _dalvarezrb _y201710271055 _zalvarezrb |
|
| 040 |
_aEs-BaIT _bcat _erda _cEs-BaIT |
||
| 041 | 0 |
_aeng _afre _aita |
|
| 043 | _ae-fr--- | ||
| 080 | _a782.1 | ||
| 245 | 0 | 0 |
_aBeyond the stage : _bmusical theatre and performing arts between Fin de siècle and the Années folles / _cedited by Michela Niccolai and Giuseppe Montemagno |
| 264 | 1 |
_aBologna : _bUT Orpheus, _c[2017] |
|
| 264 | 4 | _c©2017 | |
| 300 |
_axiv, 357 pàgines : _bil·lustracions, gràfics, música, facsímils ; _c25 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_asense mediació _bn _2rdamedia |
||
| 338 |
_avolum _bnc _2rdacarrier |
||
| 490 | 1 |
_aAd Parnassum studies ; _v10 |
|
| 500 | _aInclou notes biogràfiques dels contribuïdors (pàgines 345-347) | ||
| 504 | _aInclou referències bibliogràfiques (pàgines 333-344) i índex | ||
| 505 | 8 |
_aConté: _gFrom vocal music to music for the stage. _tL'élixir du drame: symbolisme et modernité dans la musique de chambre avec voix en France. Autour du concert "mirifique et scandaleux" de la SMI du 14 janvier 1914 / _rMichel Duchesneau -- _tEntre opéra et théâtre: la musique de scène pour Phèdre de Massenet / _rJean-Christophe Branger -- _tRésonances debussystes dans les mélodies de jeunesse d'Arthur Honegger / _rStéphan Etcharry -- "Ce qui a été déjà cela ne revient plus". Bianca da Molena de Mieczyslaw Karlowicz. Une épreuve pour le théâtre musical / _rLuca Lévi Sala -- _tDebussy e l'esotismo misconosciuto: le musiche di scena per Le martyre de saint Séastien (1911) / _rRalph P. Locke -- _gNew forms of expression. _tUn long parcours de "déwagnérisation": Ernest Chausson et le livret du Roi Arthus / _rMarie-Hélène Benoit-Otis -- _tSkating rink, la mixité formelle dans la symphonie choréographique d'Arthur Honegger sur un livret de Ricciotto Canudo / _rJacinthe Harbec -- _tBusoni e la necessité di una 'Nuova commedia dell' arte'. L'esempio di Arlecchino e Turandot (1917) / _rMara Lacché-- Pantomime-ballet at the Folies-Bergère: a case study / _rSarah Gutsche-Miller -- _gClassical versus popular divas. _tDiva et photographie: Massenet, Sibyl Sanderson et la séduction de l'image / _rKaren Henson -- _tGustave Charpentier et les Catherinettes, la rencontre du savant et du populaire / _rAnne Monjaret -- _tLa gestualité dans l'art de chanter d'Yvette Guilbert / _rMichela Niccolai |
|
| 520 | _a"The crisis of dramaturgical systems in the age of European modernism, between the end of the nineteenth century and the First World War, provoked the creation of a range of original artistic solutions until the 1930s which broke apart traditional musical genres. The quest for new forms of expression thus becomes a defining feature in modernist art. Composers, riding the wave of momentum built first in literature and the fine arts, blurred the boundaries between high and low styles, and it is in this co-existence, inherent to the new forms, that musical production found new life. Theatre studies have pinpointed this desire for artistic experimentation with Paris at its centre, the city of light, that cultural meeting ground and formidable catalyst of artistic trends. The visual spectacle produced during the forty years (approximately 1890-1930) covered in this volume has therefore been analysed in a number of different ways, deriving from the vast panorama of cultural history, interrogating theatrical materials not only from the standpoint of the «spectacular», but also by investigating the links between high and low, mediatised culture. Musicological research applied to high art genres (song, opera, all genres of instrumental music) does not yet seem to have taken these hybrid spectacles which modify forms and genres in search of new musical and dramatic solutions into consideration, except in a few rare cases. On the other hand, new impetus has been given by a renewed interest in popular chanson and ballet. In this current volume, we have chosen to interrogate the spectacular element, that is to say the performance, as 'a text', equal in status to the music and the literary text. Therefore, the different subject areas proposed in the following chapters reveal a lesser importance of the subject material set to music by composers but a greater willingness, at the centre of this aesthetic renewal, to try out new musical forms or to adapt traditional structures to new dramatic ends" -- Contracoberta | ||
| 546 | _aTexts en anglès, francès i italià | ||
| 650 | 7 |
_aÒpera _zFrança _zParis _yS. XIX _9141129 |
|
| 650 | 7 |
_aÒpera _zFrança _zParis _yS. XX _9141130 |
|
| 650 | 4 |
_aTeatre musical _zFrança _zParis _yS. XIX _9141131 |
|
| 650 | 4 |
_aTeatre musical _zFrança _zParis _yS. XX _9141132 |
|
| 650 | 4 |
_aDansa clàssica _zFrança _zParis _yS. XIX _9141133 |
|
| 650 | 4 |
_aDansa clàssica _zFrança _zParis _yS. XX _9141134 |
|
| 700 | 1 |
_aMontemagno, Giuseppe, _eeditor literari _9141135 |
|
| 700 | 1 |
_aNiccolai, Michela, _eeditor literari, _eautor _9141136 |
|
| 830 | 0 |
_aAd Parnassum studies ; _v10 _9141137 |
|
| 940 |
_aORBIS _cIT |
||
| 949 |
_AVIRTUAITEM _D10040 _G10040 _X1 _61900075485 _a782.1 BEY |
||
| 998 | _aVIRTUA | ||
| 998 | _aVTLSSORT0080*0200*0201*0350*0400*0410*0430*0800*2450*2640*2641*3000*3360*3370*3380*4900*5460*5040*5050*5000*5200*6500*6501*6502*6503*6504*6505*7000*7001*8300*9400*9992 | ||
| 999 |
_c124922 _d124922 |
||