000			02855nam a2200421 i 4500
001			vtls002905626
003			ES-BaIT
005			20240610124945.0
008			170711s2017 xxua||| b||| 001 0 eng|c
010			_a2905626
020			_a9780199314652 _q(paperback)
020			_a9780199314645 _q(cloth)
020			_z9780190649968 _q(Oxford scholarship electronic book)
035			_ab69252932
035			_a.b69252932
039		9	_a201707111006 _balvarezrb _c201707111006 _dalvarezrb
040			_aES-BaIT _bcat _erda _cES-BaIT
041	1		_aeng _hfre
100			_aPouillaude, Frédéric, _d1978- _eautor _9123560
240	1	0	_aDésoeuvrement chorégraphique. _lAnglès
245	1	0	_aUnworking choreography : _bthe notion of the work in dance / _cFrédéric Pouillaude ; translated by Anna Pakes
264		1	_aNew York, NY : _bOxford University Press, _c[2017]
264		4	_c©2017
300			_axxviii, 348 pàgines : _bil·lustracions ; _c25 cm
336			_atext _btxt _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
490	1		_aOxford studies in dance theory
500			_aTítol original: Le désœuvrement chorégraphique
500			_aInclou bibliografia i índex
505	8		_aConté: Preface to the English edition -- Translator's Preface -- Introduction -- Part I. Philosophy of Dance and the Absenting of Works: Chapter 1. On Transcendental Absenting ; Chapter 2. A Time with No Outside (Valéry and Jouissance) ; Chapter 3. A Space with No Place (Straus and Ecstasy) ; Chapter 4. The Absence of the Work: Presence, Expenditure, Auto-affection -- Part II. The Work (1): The Stage and Signification: Chapter 1. Mallarmé: Deciphering the Stage ; Chapter 2. Spectacle, Ritual, Divertissement (Genesis and Structure of the Choreographic Stage, I) ; Chapter 3. Presence, Ideality, Signification (Genesis and Structure of the Choreographic Stage, II) ; Chapter 4. Artaud: Presence and Ritual -- Part III. The Work (2): Immanence and Ideality: Chapter 1. Writing That Says Nothing ; Chapter 2. Identity: Two Regimes ; Chapter 3. Oral Identities: Passing Dance on, Making Versions ; Chapter 4. The Supporting Trace: Images and Scores -- Part IV. A Technique With No Object: Chapter 1. What is a Dance Technique? ; Chapter 2. Technique or Language: An Analogical Impasse ; Chapter 3. Lack of Tools as Loss of Memory ; Chapter 4. Intending the Unintentional, Repeating the Unrepeatable -- Conclusion (1). Reflect and Repeat: Section 1. Stage and Contemporaneity ; Section 2. The Reflexive Labour of Performance ; Section 3. The Memorial Labour of the Work -- Conclusion (2): Gesture and Trace
650		7	_aDansa _2 _956587
650		7	_aDansa _xFilosofia _956578
830		0	_aOxford studies in dance theory _9140155
940			_aCVA7
942			_2udc _c1
949			_61900075001 _a793 POU
999			_c124587 _d124587