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_aDaly, Ann _9137759 |
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245 | 1 | 0 |
_aCritical gestures : _bwritings on dance and culture / _cAnn Daly |
260 |
_aMiddletown : _bWesleyan University Press, _c2002 |
||
300 |
_axlii, 378 p. : _bil.; _c23 cm |
||
504 | _aBibliografia. Índex | ||
505 | 8 | _aConté: Introduction -- I. Writing Dance. Choreographers: Pina Bausch -- Deborah Hay -- Bill T. Jones and Arnie Zane -- Ralph Lemon --. Performances -- Images and exhibits -- Books -- Seasons and occasions -- II. Making history -- III. Theorizing gender -- Notes | |
520 | _a"Ann Daly ranks among the most insightful, articulate dance critics and scholars writing today. Spanning the divide between journalism and scholarship, this collection offers a double-sighted view of dance in America from 1986 to the present, documenting the shift in experimental dance from formal to social concerns, and recording the expansion of dance studies in the academy from historical documentation to cultural criticism. Daly examines performance art and visual art as they relate to and influence dance, with a look at the intersection of dance and history. Gender is the subject of the final section of the book. More than 80 reviews, features, essays, interviews and scholarly articles including extended considerations of Pina Bausch, Deborah Hay, Bill T. Jones and Ralph Lemon were originally published in venues ranging from High Performance to The New York Times to TDR: A Journal of Performance Studies." -- Contracoberta | ||
600 | 1 | 4 |
_aBausch, Pina _97215 |
600 | 1 | 4 |
_aJones, Bill T. _926977 |
600 | 1 | 4 |
_aZane, Arnie, _d1948-1988 _9137760 |
600 | 1 | 4 |
_aLemon, Ralph _9137761 |
600 | 1 | 4 |
_aHay, Deborah _924865 |
650 | 0 | 4 |
_aCrítica de dansa _9132297 |
650 | 0 | 4 |
_aDansa contemporània _xAspectes socials _9101517 |
650 | 0 | 4 |
_aFeminisme i dansa _9133303 |
650 | 0 | 4 |
_aCoreògrafes de dansa contemporània _zEstats Units d'Amèrica _yS. XX _974329 |
650 | 0 | 4 |
_aCoreògrafs de dansa contemporània _zEstats Units d'Amèrica _yS. XX _981276 |
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