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001			vtls002904442
003			ES-BaIT
005			20211008113759.0
008			161109s2013 xxka||| b||| 001 0 eng|c
010			_a2904442
020			_a9780199939985 (cart.)
020			_a9780199940004 (rúst.)
035			_ab68094322
039		9	_a201611091214 _balvarezrb _c201611091213 _dalvarezrb _y201611091213 _zalvarezrb
080			_a001.8
245	0	0	_aDance on its own terms : _bhistories and methodologies / _cedited by Melanie Bales and Karen Eliot
260			_aOxford : _bOxford University Press, _ccop. 2013
300			_avi, 448 p. : _bil. ; _c24 cm
500			_aÍndex
504			_aBibliografia
505	8		_aConté: Introduction -- Part one: in the moment of re-creation and performance: Introduction to Part One -- 1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet / Karen Eliot -- 2. Reimagining Le Boeuf sur le Toit / Ann Dils -- 3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance Deborah Friedes Galili -- 4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical / Betsy Cooper -- 5. "Single Ladies" Is Gay: Queer Performances and Mediated Masculinities on YouTube / Harmony Bench -- Part two: Within the body and mind of the dancer and choreographer: Introduction to Part Two -- 6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Today's Baroque Practice / Catherine Turocy -- 7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe / Melanie Bales -- 8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy / Carrie Gaiser Casey -- 9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein / Geraldine Morris -- 10. Kaddish at the Wall: The Long Life of Anna Sokolowa's a " Prayer for the Dead"? / Hannah Kosstrin -- 11. Developing the American Ballet Dancer: The Pedagogical Lineage of Rochelle Zide-Booth / Jesica Zeller -- Part three: In the shape of written records: -- Introduction to Part Three -- 12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanova's Notation / Sheila Marion with Karen Eliot -- 13. Musical Expression in the Bournonville-Lovenskjold La Sylphide Variation / Rebecca Schwartz-Bishir -- 14. Archives of Embodiment: Visual Culture and the Practice of Score Reading / Victoria Watts -- 15. Reading Music, Gesture, and Narrative in Mark Morrisa? Dido and Aeneas / Rachael Riggs-Leyva --16. What's in a Dance? The Complexity of Information in Writings about Dance / Candace Feck -- Contributor Biographies
520			_a"Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The chapters emphasize dance history and core disciplinary knowledge in three categories of significant dance activity: performance and reconstructio, pedagogy and choreogrpahic process, and notational and other written forms that analyze and document dance. Conceptually, each chapter also raises concerns and questions that point to broadly inclusive methodological applications..." -- Contracoberta
650		7	_aDansa _xHistòria _2lemac _967415
650		7	_aDansa _xInvestigació _2lemac _965631
650		7	_aDansa _xMetodologia _2lemac _9137472
700	1		_aBales, Melanie, _eed. _999965
700	1		_aEliot, Karen, _eed. _998381
907			_a.b68094322 _b09-11-16 _c04-11-16 _d04-11-16 _em _fa _g- _heng _ixxk _j0 _k0
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