000			04300cam a22004214a 4500
001			vtls002903587
003			ES-BaIT
005			20211008113734.0
008			160601s2012 xxua b 001 0 eng
010			_a2903587
020			_a9780195388947 (alk. paper)
020			_a0195388941 (alk. paper)
020			_a9780199995813
035			_ab53221801
039		9	_y201606010921 _zsaezgc
040			_aDLC _cDLC _dYDX _dYDXCP _dERASA _dBWX _dCDX _dDLC _bcat
050	0	0	_aQC225.15 _b.O93 2012
080			_a792.022.4
245	0	4	_aThe Oxford handbook of sound studies / _cedited by Trevor Pinch and Karin Bijsterveld
260			_aNew York : _bOxford University Press, _c2012
300			_axii, 593 p. : _bill. ; _c26 cm
490	1		_a[Oxford handbooks]
500			_aSeries statement from book jacket
504			_aInclou referències bibliogràfiques, Índex
520	2		_aContinguts: Contributors List of Figures Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES 1: The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith 2: Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun 3: "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs 4: Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD 5: Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx 6: Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich 7: A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB 8: From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson 9: Conversions: Sound and Sight, Military and Civilian - Cyrus Mody 10: The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper SECTION IV: SPEAKING FOR THE BODY: THE CLINIC 11: Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz 12: Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice 13: Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills SECTION V: EDITING SOUND: THE DESIGN STUDIO 14: Sound and Player Immersion in Digital Games - Mark Grimshaw 15: The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington 16: The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND 17: Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers 18: From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen and Tia DiNora 19: The Amateur in the Age of Mechanical Music - Mark Katz 20: Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE 21: Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche 22: iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull 23: The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama Index
650		4	_aSo _957745
650		4	_aSons _966208
650		4	_aEnginyeria acústica _956776
650		4	_aSoroll _9134454
700	1		_aPinch, T. J. _q(Trevor J.) _9135881
700	1		_aBijsterveld, Karin, _d1961- _9135882
830		0	_aOxford handbooks _9132406
907			_a.b53221801 _b01-06-16 _c14-09-12 _d14-09-12 _em _fa _g- _heng _ixxu _j0 _k0
940			_aDLC _cUPC
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