000			03209nam a2200397 a 4500
001			vtls002903518
003			ES-BaIT
005			20240524073651.0
008			160523s2015 gw ah|| b||| 000 0 eng|c
010			_a2903518
020			_a9783943365931
035			_ab67413055
039		9	_a201605261124 _brieravj _c201605231026 _dalvarezrb _c201605231024 _dalvarezrb _c201605231024 _dalvarezrb _y201605231024 _zalvarezrb
043			_an-us-ny
080			_a7.07 Laderman, Mierle
100	1		_aUkeles, Mierle _9135782
245	1	0	_aMierle Laderman Ukeles : _bseven work ballets / _c[editor: Kari Conte]
246	3	0	_aSeven work ballets
260			_aBerlin : _bSternberg, _ccop. 2015
300			_a230 p. : _bil. algunes col. ; _c28 cm
504			_aBibliografia
505	8		_aConté: Preface / Krist Gruijthuijsen -- The ballet book: choreography and labor / Kari Conte -- Artist's introduction / Mierle Laderman Ukeles -- I. Sanitation celebrations : the grand finale of the First New York City Art Parade : New York City, USA, 1983 -- II. Marrying the barges: a barge ballet : opening performance of "Touch sanitation show, Part one: Transfer station transformation" : New York City, USA, 1984 -- III. Vuilniswagendans (Garbage truck dance) : Rotterdam, the Netherlands, 1985 -- IV. Movin' on along: Barge and towboat ballet : Pittsburgh, USA, 1992 -- V. Re-spect for Givors : Givors, France, 1993 -- VI. Snow workers' ballet 2003 : Tokamachi, Japan, 2003 -- VII. Snow workers' ballet 2012 : Tokamachi, Japan, 2012 -- Mierle Laderman Ukeles in conversation with Tom Finkelpearl and Shannon Jackson
520			_a"Mierle Laderman Ukeles's 1969 "Manifesto for Maintenance Art" was a major intervention in feminist performance practices and public art. The proposition argued for the intimate relationship between creative production in the public sphere and domestic labor; a relationship whose intricacies Ukeles has been unraveling, ever since. Starting in 1977, she became an unsalaried artist-in-residence at the New York City Department of Sanitation, a position that enabled her to introduce radical public art as mainstream culture into an urban system serving and owned by the municipal population. Through archival research, this monographic publication focuses on Ukeles' work ballets; a series of large-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables which took place between 1983 and 2012 in New York City, Rotterdam, the Netherlands, Pittsburgh, Pennsylvania, Givors, France and Tokamachi, Japan" -- Prefaci
600	1	4	_aUkeles, Mierle _9135782
600	1	4	_aUkeles, Mierle _xIntervius _9135783
650		7	_aPerformance (Art) _2 _957517
650		7	_aArt per a llocs concrets _2lemac _965634
650		7	_aArt públic _2lemac _956248
700	1		_aConte, Kari, _eed. _9135784
907			_a.b67413055 _b23-05-16 _c18-05-16 _d18-05-16 _em _fa _g- _heng _igw _j0 _k0
940			_aCVA7 _dIT
949			_AVIRTUAITEM _D10040 _G10040 _X1 _61900072281 _a7 (uke) UKE
998			_aVIRTUA
998			_aVTLSSORT0080*0200*0350*0430*0800*1000*2450*2460*2600*3000*5040*5050*5200*6000*6001*6500*6501*6502*7000*8560*9070*9400*9992
999			_c122701 _d122701
040			_aES-BaIT _bcat