| 000 | 01721nam a2200349 a 4500 | ||
|---|---|---|---|
| 001 | vtls002902469 | ||
| 003 | ES-BaIT | ||
| 005 | 20211008113658.0 | ||
| 008 | 151007s2009 xxk|||||r 001 ||eng|c | ||
| 010 | _a2902469 | ||
| 020 | _a9780230518018 | ||
| 035 | _ab64000540 | ||
| 039 | 9 |
_a201510071054 _balvarezrb _y201510071053 _zalvarezrb |
|
| 080 | _a792.073 | ||
| 100 | 1 |
_aGrehan, Helena _9133514 |
|
| 245 | 1 | 0 |
_aPerformance, ethics and spectatorship in a global age / _cHelena Grehan |
| 260 |
_aBasingstoke : _bPalgrave MacMillan, _ccop. 2009 |
||
| 300 |
_axi, 208 p. : _bil. ; _c22 cm |
||
| 490 | 1 |
_aStudies in international performance _9100038 |
|
| 504 | _aBibliografia. Índex | ||
| 505 | 8 | _aConté: Introduction -- 1. Situating the spectator -- 2. Genesi : the spectator and "useless suffering?" -- 3. The career highlights of the MAMU : alterity and shame -- 4. Sandakan threnody : testimony and the dangers of polyphony -- 5. "The refugee," empathy, and participation : Ariane Mnouchkine and Théâtre du Soleil's Le dernier Caravansérail (Odyssées) -- 6. Otherness and responsibility in Three tales by Steven Reich and Beryl Korot and Nature's little helpers by Patricia Piccinini | |
| 650 | 0 | 4 |
_aTeatre i societat _957896 |
| 650 | 0 | 0 |
_aTeatre _xFilosofia _968842 |
| 650 | 7 |
_aTeatre _xPúblic _2lemac _957799 |
|
| 830 | 0 |
_aStudies in international performance _9100038 |
|
| 907 |
_a.b64000540 _b07-10-15 _c02-09-15 _d02-09-15 _em _fa _g- _heng _ixxk _j0 _k0 |
||
| 940 |
_aCVA15 _dIT |
||
| 949 |
_AVIRTUAITEM _D10040 _G10040 _X1 _61900070934 _a792.073 GRE |
||
| 998 | _aVIRTUA | ||
| 998 | _aVTLSSORT0080*0200*0350*0800*1000*2450*2600*3000*5040*5050*6500*6501*6502*8300*9070*9400*9992 | ||
| 999 |
_c121855 _d121855 |
||
| 040 |
_aES-BaIT _bcat |
||