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| 003 | ES-BaIT | ||
| 005 | 20211008113658.0 | ||
| 008 | 151007s2012 xxk|||||r 001 ||eng|c | ||
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_a201510070931 _balvarezrb _y201510070930 _zalvarezrb |
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| 080 | _a78:792 | ||
| 080 | _a792:78 | ||
| 100 | 1 |
_aTan, Marcus Cheng Chye _9133509 |
|
| 245 | 1 | 0 |
_aAcoustic interculturalism : _blistening to performance / _cMarcus Cheng Chye Tan |
| 260 |
_aBasingstoke : _bPalgrave MacMillan, _ccop. 2015 |
||
| 300 |
_axii, 259 p. : _bil. ; _c22 cm |
||
| 490 | 1 |
_aStudies in international performance _9100038 |
|
| 504 | _aBibliografia. Índex | ||
| 505 | 8 | _aConté: Introduction: the topography of an acoustic interculturalism -- 1. The performativity of sound and the soundscapes of culture -- 2. Acoustic mimesis: ethical cadence and sonic violence in Tambours sur la digue -- 3. (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other -- 4. Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia -- 5. "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking -- Conclusion: after authenticity: naming the intercultural | |
| 650 | 0 | 4 |
_aComunicació intercultural en les arts de l'espectacle _9133510 |
| 650 | 0 | 4 |
_aMúsica en el teatre _957386 |
| 650 | 0 | 4 |
_aSo _xAspectes culturals _9133511 |
| 830 | 0 |
_aStudies in international performance _9100038 |
|
| 907 |
_a.b63999547 _b07-10-15 _c02-09-15 _d02-09-15 _em _fa _g- _heng _ixxk _j0 _k0 |
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