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080 _a792(73)"19"(09)
100 1 _aCanning, Charlotte M.
_9133422
245 0 0 _aOn the performance front :
_bUS theatre and internationalism /
_cCharlotte M. Canning
260 _aBasingstoke :
_bPalgrave MacMillan,
_ccop. 2015
300 _axv, 312 p. :
_bil. ;
_c22 cm
490 1 _aStudies in international performance
_9100038
504 _aBibliografia. Índex
505 8 _aConté: Introduction -- 1. Theatre arts: the tributary theater -- 2. Onstage I: The wedding proposal, 1927 -- 3. ANTA: the US (Inter)National Theatre -- 4. Onstage II: Hamlet, 1949 -- 5. ITI: tomorrow's theatre today -- 6. Onstage III: Porgy and Bess, 1952-1956 -- Conclusion
520 _a"On the Performance Front argues that US theatre in the twentieth century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour. On the Performance Front focuses on US theatre's international efforts without losing sight of either the ways these efforts mirrored those in other countries or the complex, often conflicting, relationship between internationalism and nationalism"-- Contracoberta
650 0 4 _aTeatre
_zEstats Units d'Amèrica
_xHistòria
_yS. XX
_981815
650 0 4 _aTeatre i internacionalisme
_9133423
650 0 4 _aTeatre i nacionalisme
_9133424
830 0 _aStudies in international performance
_9100038
907 _a.b6399978x
_b01-10-15
_c02-09-15
_d02-09-15
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