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_a201510010853 _balvarezrb _c201510010852 _dalvarezrb _y201510010852 _zalvarezrb |
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080 | _a792(73)"19"(09) | ||
100 | 1 |
_aCanning, Charlotte M. _9133422 |
|
245 | 0 | 0 |
_aOn the performance front : _bUS theatre and internationalism / _cCharlotte M. Canning |
260 |
_aBasingstoke : _bPalgrave MacMillan, _ccop. 2015 |
||
300 |
_axv, 312 p. : _bil. ; _c22 cm |
||
490 | 1 |
_aStudies in international performance _9100038 |
|
504 | _aBibliografia. Índex | ||
505 | 8 | _aConté: Introduction -- 1. Theatre arts: the tributary theater -- 2. Onstage I: The wedding proposal, 1927 -- 3. ANTA: the US (Inter)National Theatre -- 4. Onstage II: Hamlet, 1949 -- 5. ITI: tomorrow's theatre today -- 6. Onstage III: Porgy and Bess, 1952-1956 -- Conclusion | |
520 | _a"On the Performance Front argues that US theatre in the twentieth century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour. On the Performance Front focuses on US theatre's international efforts without losing sight of either the ways these efforts mirrored those in other countries or the complex, often conflicting, relationship between internationalism and nationalism"-- Contracoberta | ||
650 | 0 | 4 |
_aTeatre _zEstats Units d'Amèrica _xHistòria _yS. XX _981815 |
650 | 0 | 4 |
_aTeatre i internacionalisme _9133423 |
650 | 0 | 4 |
_aTeatre i nacionalisme _9133424 |
830 | 0 |
_aStudies in international performance _9100038 |
|
907 |
_a.b6399978x _b01-10-15 _c02-09-15 _d02-09-15 _em _fa _g- _heng _ixxk _j0 _k0 |
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