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003			ES-BaIT
005			20211008113656.0
008			150930s2015 xxk|||||r 001 ||eng|c
010			_a2902413
020			_a9781137379337
035			_ab63999432
039		9	_a201509301007 _balvarezrb _y201509301007 _zalvarezrb
080			_a792(680)
245	0	0	_aPerforming migrancy and mobility in Africa : _bcape of flows / _cedited by Mark Fleishman
260			_aBasingstoke : _bPalgrave MacMillan, _ccop. 2015
300			_axv, 232 p.; _c22 cm
490	1		_aStudies in international performance _9100038
504			_aBibliografia. Índex
505	8		_aConté: 1. Introduction; Mark Fleishman -- 2. Dramaturgies of Displacement in the Magnet Theatre Migration Project; Mark Fleishman -- 3. 'Peel the Wound'- Cape Town as Passage, Threshold, and Dead-End: Performing the Everyday Traumas of Mobility and Dislocation; Miki Flockemann -- 4. Creating Communitas: The Theatre of Mandla Mbothwe; Mandla Mbothwe and Hazel Barnes -- 5. Embodiment, Mobility and the Moment of Encounter in Jonathan Nkala's The Crossing; Samuel Ravengai -- 6. (Re)-membering the Cape and the Performance of Belonging(s); Pedzisai Maedza -- 7. Uhambo: Pieces of a Dream -- Waiting in the Ambiguity of Liminality; Sara Matchett and Awino Okech -- 8. Mobility, Migration and 'Migritude' in Afrocartography: Traces of Places and All Points in Between; Mwenya Kabwe -- Mamma Africa: A Theatre of Inclusion, Hope(lessness) and Protest; Shannon Elizabeth Hughes -- 9. On Familiar Roads: The Fluidity of Cape Coloured Experiences and Expressions of Migration and Reclamation in the Performances of the Kaapse Klopse in Cape Town; Amy Jephta -- 10. Tall Horse, Tall Stories ; Jane Taylor -- 11. Playtext: The Life and Work of Petrovic Petar; Sanjin Muftic
520			_a"Performing Migrancy and Mobility in Africa focuses on a body of performance work, the work of Magnet Theatre in particular but also work by other artists in Cape Town and other parts of the continent or the world, that engages with the Cape as a real or imagined node in a complex system of migration and mobility. Located at the foot of the African continent, lodged between two oceans at the intersection of many of the earth's major shipping lanes, Cape Town is a stage for a powerful mixing of cultures and peoples and has been an important node in a network of flows, circuits of movement and exchange. The performance works studied here attempt to get to grips with what it feels like to be on the move and in the spaces in-between that characterises the lives, now and for centuries before, of multiple peoples who move around and pass through places like the Cape. The contributors are a broad range of mostly African authors from various parts of the continent and as such the book offers an insight into new thinking and new approaches from an emerging and important location. " --Contracoberta
610	2	4	_aMagnet Theatre (Grup de teatre) _9133395
650	0	4	_aTeatre _xAspectes polítics _zRepública de Sud-àfrica _xHistòria _9133396
650	0	4	_aTeatre _zRepública de Sud-àfrica _xHistòria _9133397
650	0	4	_aTeatre i societat _zRepública de Sud-àfrica _xHistòria _9133398
700	1		_aFleishman, Mark _9133399
830		0	_aStudies in international performance _9100038
907			_a.b63999432 _b30-09-15 _c02-09-15 _d02-09-15 _em _fa _g- _heng _ixxk _j0 _k0
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040			_aES-BaIT _bcat