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003			ES-BaIT
005			20211008113654.0
008			150915s2010 xxua b 001 0 eng c
010			_a2902341
020			_a9780292722736
020			_a0292722737
035			_ab64034112
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043			_ae------ _an-us---
080			_a792.021(09)
100	1		_aBrockett, Oscar G. _99899
245	1	0	_aMaking the scene : _ba history of stage design and technology in Europe and the United States / _cOscar G. Brockett, Margaret Mitchell, Linda Hardberger
260			_aSan Antonio, Tex. : _bTobin Theatre Arts Fund, _c2010
300			_axi, 365 p. : _bil. , col i b/n ; _c31 cm
504			_aInclou referències bibliogràfiques. Índex
505	8		_aConté: Foreword -- Preface -- Scenic design in ancient Greek and Roman theaters -- Medieval scenic design -- The Italian Renaissance -- Design in France and the Holy Roman Empire from 1640 to the early eighteenth century -- The influence of Scena per Angolo on eighteenth-century design -- Neoclassicism and romanticism: a rivalry of opposites -- Realism and naturalism -- Modernism -- American new stagecraft, Russian constructivism, epic theater, and the Bauhaus -- Post-World War II and the late twentieth century -- Epilogue: looking toward the twenty-first century
520			_a"Theatrical scene design is one of the world's most beautiful, varied, and lively art forms. Yet there are relatively few books on the subject and almost none for a general audience that combine expansive scholarship with lavish design. The work offers an unprecedented survey of the evolving context, theory, and practice of scene design from ancient Greek times to the present, coauthored by the world's best-known authority on the subject and enhanced by three hundred full-color illustrations. Individual chapters focus on Greece, Rome, Medieval Europe (including liturgical drama, street pageants, festival outdoor drama, Spanish religious drama, and royal entries), the Italian Renaissance, eighteenth-century Europe, classicism to romanticism, realism and naturalism, modernism, and contemporary scene design. Authors discuss everything from the effects of social status on theater design to the sea changes between classicism, romanticism, and naturalism and the influence of perspective-based techniques, from the classical deus ex machina and special effects in coliseums, to medieval roving stage wagons and the floating ships of the Renaissance, to the computerized practices of today's theaters. Each historical period also includes a discussion of the audience that attended these productions. Such ingenious techniques, interwoven with the sweeping beauty of scene design through the ages, combine with Oscar G. Brockett and Margaret Mitchell's keen scholarship to create a book as compelling as the art it showcases"-- Informació a la solapa de la sobrecoberta
650	0	4	_aEscenografia _zEuropa _xHistòria _9133171
650	0	4	_aEscenografia _zEstats Units d'Amèrica _xHistòria _9133172
700	1		_aMitchell, Margaret, _d1964- _9133173
700	1		_aHardberger, Linda _9133174
907			_a.b64034112 _b15-09-15 _c14-09-15 _d14-09-15 _em _fa _g- _heng _ixxu _j0 _k0
940			_aOHIO _cIT
949			_AVIRTUAITEM _D10040 _G10040 _X1 _61900070805 _a792.021 (09) BRO _oComprat pel professorat que va anar a Praga el 2015
998			_aVIRTUA
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