000 | 01834nam a2200361 a 4500 | ||
---|---|---|---|
001 | vtls002897530 | ||
003 | ES-BaIT | ||
005 | 20211008111102.0 | ||
008 | 130206s2004 xxua || 001 ||eng|d | ||
010 | _a2897530 | ||
020 | _a0520241738 (cart.) | ||
035 | _ab33591337 | ||
039 | 9 |
_a201403080607 _bVLOAD _c201303101433 _dVLOAD _c201302061215 _dalvarezrb _y201302061215 _zalvarezrb |
|
080 | _a782.1Wagner, Richard | ||
080 | _a782.1Strauss, Richard | ||
080 | _a782.1 | ||
100 | 1 |
_aKramer, Lawrence, _d1946- _9123495 |
|
245 | 1 | 0 |
_aOpera and modern culture : _bWagner and Strauss / _cLawrence Kramer |
260 |
_aBerkeley [etc.] : _bUniversity of California Press, _ccop. 2004 |
||
300 |
_a257 p. : _bil.; _c24 cm |
||
504 | _aBibliografia. Índex | ||
505 | 8 | _aConté: Prologue : thinking through opera with Wagner and Strauss -- Opera : two or three things I know about her -- Contesting Wagner : the Lohengrin prelude and anti-anti-semitism -- The waters of Prometheus : nationalism and sexuality in Wagner's Ring -- Enchantment and modernity : Wagner the symptom -- Modernity's cutting edge : the Salome complex -- Video as Jugendstil : Salome, visuality, and performance -- Fin-de-siècle fantasies : Elektra and the culture of supremacism -- Epilogue : voice and its beyonds | |
600 | 1 | 4 |
_aWagner, Richard, _d1813-1883 _xÒperes _9123496 |
600 | 1 | 4 |
_aStrauss, Richard, _d1864-1949 _xÒperes _9123497 |
650 | 7 |
_aMúsica _xFilosofia i estètica _2lemac _957355 |
|
650 | 0 | 4 |
_aSexualitat en la música _9123498 |
650 | 0 | 4 |
_aÒpera _xAspectes socials _9123408 |
940 | _aCVA7 | ||
949 |
_AVIRTUAITEM _D10040 _G10040 _X1 _61900064564 _a782.1 KRA |
||
998 | _aVIRTUA | ||
998 | _aVTLSSORT0080*0200*0350*0800*0801*0802*1000*2450*2600*3000*5040*5050*6000*6001*6500*6501*6502*9400*9992 | ||
999 |
_c117993 _d117993 |
||
040 |
_aES-BaIT _bcat |