Magic fairy tales.  The prince and Cinderella. Ninel Kurgapkina benefit performance / 
The Kirov Ballet 
 - 1 videodisc (DVD) (92 min):  color, so;  19 cm 
<br/><br/>Conté: 1. Magic Fairy tales (1976) : ballet film of the third act ("Aurora's weeding") from the ballet "The sleeping beauty" / choreography by Marius Petipa ; music by Pyotr Ilyich Tchaikovsky ; Kirov Orchestra conducted by Victor Fedotov ; directed by Eugenia Popova  - 2. The Prince and Cinderella (1975) : ballet film : a choreographic fantasy on the theme of Prokofiev's ballet "Cinderella" / choreography by Constantine Sergeev ; Kirov Orchestra conducted by Victor Fedotov ; directed by Oleg Riabokon  - 3. Ninel Kurgapkina Benefit performance (1980) : Fragment from the ballet "Don Quixote" / choreography by Marius Petipa, music Ludwig Minkus ; Waltz / music Richard Strauss ; Pas de deux from the ballet "Harlequinade" / music Riccardo Drigo ; Pas de deux from the ballet "Le Corsaire" / choreography Marius Petipa ; music Adolphe Adam ; Waltz / music Dmitri Shostakovich ... 
<br/><br/>Coreografies: Marius Petipa, Constantine Sergeev  Coreografies: Marius Petipa, Constantine Sergeev 
<br/><br/>Ballarins: Gabriella Komleva ; Sergey Vikulov ; Svetlana Efremova ; Ninel Kurgapkina 
<br/><br/> The dazzling music and grand choreography of the Kirov Ballet, Russia's earliest and most enduring ballet company. Choreographic riches preserved in these rare dance films include part of Tchaikovsky's 'The Sleeping Beauty' - with the great Gabriella Komleva dancing Aurora, and with the traditional 19th-century choreography of Marius Petipa, who established the grandeur of the early Kirov style when it was known as the Imperial Russian Ballet. Also seen here is 'The Prince and Cinderella, ' a fantasia on Prokofiev's 'Cinderella, ' choreographed by the modern master Constantine Sergeev, who helped sustain Russian dominance in ballet in the twentieth century. And as a climax we're treated to a wealth of dancing from Ninel Kurgapkina, one of the most beloved of modern Russian ballerinas. When Kurgapkina dances the repertoire from 'Don Quixote' to a Strauss waltz to Drigo's 'Harlequinade, ' we are reminded yet again of the greatness of Russian ballet, the Kirov, and the tradition of ballet itself -- contenidor 
<br/><br/><label>Standard No.: </label>8712177054510 
<br/><br/><label>Publisher. No.: </label>960020  IMM 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Dansa cląssica--Coreografies<br/>Dansa cląssica--Coreografies--Fragments
<br/><br/><label>Index Terms--Genre/Form: </label><br/>Dansa filmada
<br/><br/><label>Universal Decimal Class. No.: </label>793.4(086.8)