TY  - BOOK
AU  - Neri,Daniela
TI  - Playing indentities: migration creolisation creation : France, Hungary, Italy, Portugal, Romania 
PY  - 2011///]
CY  - [Siena, Italy]
PB  - [University of Siena]
KW  - Balletto Civile (Grup de dansa)
KW  - Coreografies
KW  - Arts de l'espectacle
KW  - Investigació
KW  - Dansa contemporània
KW  - Emigració i immigració
KW  - Escenificacions
KW  - Identitat col·lectiva en les arts de l'espectacle
N2  - "The project "Playing Identities. Migration, Creolisation, Creation", funded with the support from EU Culture Programme 2007-2013, aims to interpret migration phenomena as instances of creolisation. Coordinated by the Santa Chiara Graduate School of Siena University and involving a wide  international partnership, the original aspect of this project stands in the intuition of borrowing Glissant's poetical vision of creolisation and to apply it to two distinct processes of creation.  ... On one side we choose Performing Arts, namely theatre, in order to produce a play in which artists from diverse theatrical backgrounds are forced to the negotiation of expressive codes, practices and meanings.Romania, France, Hungary, Poland, Italy. These are the countries the "Creole Performance Cycle" has been travelling across. There, artists of diverse provenances and backgrounds have met on the stage and have negotiated language, methods, topics, and forms of expression in order to produce a series of performances.  Balletto Civile - the Italian theatre and dance company winner of the "Playing Identities" international call for artistic projects - has been the conductor of this creative process. So, its members had the task to set the rhythm on the path. Balletto Civile's members moved periodically across Europe, from Cluj to Conques, from Budapest to Łódź, at last reaching Siena. Along the way, they locked their eyes with those of the people they came across. creolimage_smallThe group's luggage was  filled with skills and ideas. These in turn became questions, which they asked to the places and the artists they met. Together with the latters, Balletto Civile was involved in a role-play, which  nally displayed both the hard work of mutual understanding they had gone through, and the urgent need of thinking about their own identity." -- web playingidentities.eu
UR  - https://issuu.com/performingheritage/docs/552506_playid_description_revised
UR  - http://www.playingidentities.eu/
ER  -