TY  - ADVS
AU  - Ek,Mats
AU  - Txaikovski,Piotr Ílitx
AU  - Grimm,Thomas
AU  - Stassak,Judit
AU  - Fleischer,B.
AU  - Kida,Mariko
AU  - Lomuljo,Anthony
AU  - Mehrabyan,Arsen
AU  - Lindqvist,Marie
AU  - Ek,Niklas
AU  - Laguna,Ana
AU  - Marchand,Jérôme
AU  - Kodama,Hokuto
AU  - Jansson,Pascal
AU  - Salomonsson,Oscar
AU  - Ivanova,Daria
AU  - Stövind,Jörgen
AU  - Högstedt,Anders
AU  - Åberg,Magdalena
AU  - Öhman,Johannes
AU  - Polianichko,Aleksandr
AU  - Lundin,Bengt-Åke
AU  - Stalhammer,Semmy
AU  - Fellbom,Linus
AU  - Dauterich,Janine
AU  - Shakespeare,William
ED  - Kungliga Baletten (Suècia),
ED  - Kungliga Hovkapellet
ED  - Kungliga Teatern (Estocolm. Suècia),
ED  - Bernhard Fleischer Moving Images (Firma),
ED  - Sveriges television,
ED  - Kungliga Operan (Estocolm. Suècia),
ED  - C Major Entertainment GmbH,
TI  - Juliet & Romeo
PY  - 2014///]
CY  - Berlin
PB  - C Major Entertainment
KW  - Dansa filmada
KW  - Dansa contemporània
KW  - Coreografies
N1  - Música de Tchaikovsky agafada del moviment lent de la  Simfonia no. 5 (op. 64); Piano concerto no. 1 (op. 23); Temes amb variacions de la Suite no. 3 (op. 55); i el  Andante canabile de la Suite no. 3 (op. 11); Notes del programa i sinopsi en anglès, francès i alemany; Escenografia i disseny de vestuari: Magdalena Åberg ; disseny de llum: Linus Fellbom ; director artístic: Johannes Öhman ; primer violí: Semmy Stalhammer ; editor: Janine Dauterich; Mariko Kida (Juliet), Anthony Lomuljo (Romeo), Arsen Mehrabyan (Father), Marie Lindqvist (Mother), Niklas Ek (Duke), Ana Laguna (Nurse), Jérôme Marchand (Mercutio), Hokuto Kodama (Benvolio), Pascal Jansson (Tybalt), Oscar Salomonsson (Paris), Daria Ivanova (Rosalinda), Jörgen Stövind (Peter) ; Royal Swedish Ballet ; Royal Swedish Orchestra ; Alexander Polianichko, director d'orquestra ; piano: Bengt-Åke Lundin; Enregistrat a la Royal Swedish Opera el 2013
N2  - "After some 400 years, it is time to reverse the title of the world's greatest love story and to consider the plot from a fresh angle. Which is exactly what distinguished Swedish choreographer Mats Ek has done. By beginning the account from Juliet's perspective and focusing on her actions and emotions, not only are things turned upside down but it also marks a return to the source of one of the most famous plays in world literature." -- Contenidor
ER  -