TY  - BOOK
AU  - Gehm,Sabine
AU  - Husemann,Pirkko
AU  - Wilcke,Katharina von
AU  - Arps-Aubert,Bettina von
ED  - Tanzkongress Deutschland
TI  - Knowledge in motion: perspectives of artistic and scientific research in dance 
T2  - Tanz Scripte
SN  - 9783899428094 (rúst.)
PY  - 2007///
CY  - Bielefeld
PB  - Transcript
KW  - Dansa
KW  - Filosofia
KW  - Congressos
KW  - lemac
KW  - Aspectes socials
KW  - Investigació
N1  - Seleció de treballs presentats a la reunió Dance Congress Germany, House of World Cultures in Berlin, 20-23 d'abril 2006; Referències bibliogràfiques; Conté: Preface / Hortensia Völckers -- Introduction / Sabine Gehm, Pirkko Husemann and Katharina von Wilcke -- Dance in a knowledge society / Gabriele Klein --Dance as culture of knowledge : body memory and the challenge of theoretical knowledge / Gabriele Brandstetter -- Trickstering, hallucinating and exhausting production : the blackmarket for useful knowledge and non-knowledge / Bojana Cvejic -- What is an artistic laboratory? / a metalogue between Peter Stamer --The mode of knowledge production in artistic research / Henk Borgdorff -- Artistic research as an expanded kind of choreography using the example of Emio Greco/PC / Marijke Hoogenboom -- Talking about scores : William Forsythe's vision for a new form of dance literature / Rebecca Groves, Norah Zuniga Shaw and Scott deLahunta -- If you don't know, why do you ask? An introduction to the method of Real-time composition / João Fiadeiro -- How do you want to work today? Notes on an alternative choreographic mode for the production of speech / Jeroen Peeters -- Making worlds available / Alva Noë --Flickering and change / Meg Stuart in dialogue with Scott deLahunta -- Expeditions to the inner teacher : how the pioneers of movement studies inspire dance / Irene Sieben -- Sharing with others / Dieter Heitkamp in dialogue with Gabriele Wittmann -- About risks and side effects of dancing : dance medicine in dance training and the professional career / Eileen M. Wanke -- Capturing the essence : a personal view on dance history and reconstruction / Jason Beechey -- Re-constructions : figures of thought and figures of dance : Nijinsky's Faune : experiences with dancing competence / Claudia Jeschke -- What the body remembers : how Pina Bausch keeps her repertoire in shape / Norbert Servos -- Reconstructing Dore Hoyer's Affectos humanos / Yvonne Hardt on a discussion with Waltraud Luley, Susanne Linke and Martin Nachbar -- Digestion and infusion : ways of interpreting dance / Julia Cima in dialogue with Alexandra Baudelot -- The body as archive : on the difficult relationship between movement and history / Inge Baxmann -- For a participatory theatre : touching instead of fumbling / Felix Ruckert -- On the threshold : aesthetic experience in performances / Erika Fischer-Lichte -- The politics of collective attention / Rudi Laermans -- Generating space / Hooman Sharifi in dialogue with Björn Dirk Schlüter -- Critique versus critical practice? The impossibility and possibilities of contemporary dance critique / Constanze Klementz -- Performing the school / Boris Charmatz in dialogue with Jeroen Peeters on Bocal -- Building a common language / Thomas Lehmen in dialogue with Pirkko Husemann -- On considering a comparative approach : a model for classification of dance techniques / Kurt Koegel -- Break-up : new paths in dance education / Ingo Diehl -- Dance careers in transition : a field of action for dance in Germany? / Cornelia Dümcke -- Working on experience / Royston Maldoom in dialogue with Edith Boxberger -- Learning unconsciously / Linda Müller in dialogue with Silvia Stammen -- Art is not a luxury / Livia Patrizi in dialogue with Silvia Stammen -- The students have to come first / Hanna Hegenscheidt and Jo Parkes in dialogue with Elisabeth Nehring
ER  -