The body speaks : performance and expression /
Marshall, Lorna, 1953-
The body speaks : performance and expression / Lorna Marshall ; foreword by Yoshi Oida - First Palgrave MacMillan paperback editon - xiv, 218 pàgines ; 21 cm
Publicat originàriament: London : Methuen, 2001
pt. 1. Discovery and preparation -- Connecting to the body -- Impulse and response -- Emotion -- Voice and words -- What stops us working -- Going further -- pt. 2. Putting it into practice -- Connecting to others -- Character -- The audience -- Hints on style and technique.
"Lorna Marshall's book, The body speaks, is a fundamental rethinking of our relationship to the body and its role in performance. Seventy percent of everyday conversation is conveyed through body language. Lorna Marshall shows us how to recognize and lose unwanted physical inhibitions that we've learned throughout life. Good performers--no matter whether they're trapeze artists or Shakespearean actors--are able to fully reach their audience and engage with them because they have learned to use their bodies to their best effect. Marshall encourages actors in training as well as those already working on the stage to unleash our potential and express ourselves more clearly." -- Editorial
1403960283 9781403960283
Moviment (Interpretació)
Interpretació--Tècniques
792.028.31
The body speaks : performance and expression / Lorna Marshall ; foreword by Yoshi Oida - First Palgrave MacMillan paperback editon - xiv, 218 pàgines ; 21 cm
Publicat originàriament: London : Methuen, 2001
pt. 1. Discovery and preparation -- Connecting to the body -- Impulse and response -- Emotion -- Voice and words -- What stops us working -- Going further -- pt. 2. Putting it into practice -- Connecting to others -- Character -- The audience -- Hints on style and technique.
"Lorna Marshall's book, The body speaks, is a fundamental rethinking of our relationship to the body and its role in performance. Seventy percent of everyday conversation is conveyed through body language. Lorna Marshall shows us how to recognize and lose unwanted physical inhibitions that we've learned throughout life. Good performers--no matter whether they're trapeze artists or Shakespearean actors--are able to fully reach their audience and engage with them because they have learned to use their bodies to their best effect. Marshall encourages actors in training as well as those already working on the stage to unleash our potential and express ourselves more clearly." -- Editorial
1403960283 9781403960283
Moviment (Interpretació)
Interpretació--Tècniques
792.028.31