Aesthetics of absence : texts on theatre /
Goebbels, Heiner
Aesthetics of absence : texts on theatre / Heiner Goebbels ; edited by Jane Collins ; consultant editor Nicholas Till ; translated by David Roesner and Christina M. Lagao - London : Routledge, 2015 - xxv, 111 p., [16] p. de làm. : il. col. ; 25 cm
Bibliografia
Conté: Foreword: Heiner Goebbles: a composer who composes theatre -- Acknowledgements -- Editor's introduction -- Translator's note: Of means and perceptions-translating Heiner Goebbles -- When you mention a tree, you don't also have to whow it: A preface -- 1. Aesthetics of absence: How it all began. PART I: Texts on work(s) 2. Description of a picture, table-parties and comparative degrees: About the opera Landscape with Distant Relatives 3. 'You notice some things only because the're not connected to anyting' : Questions on constructing Eraritjaritjaka 4. Real Time in Oberplan: On Stifters dinge-A theatre of deceleration 5. Peculiar voices: On working on I Went to the house but did not enter 6. The space as invitation: The spectator as the object of art. PART II: Texts on Artists: 7. 'But I wanted this to be a narrative': Jean-Luc Godard as a composer 8. What we don't see, attracts us four theses on Call Cutta by Rimini Protokoll 9. The mystery of signs: For Robert Wilson 10. Trust no eye: For Erich Wonder 11. 'To comprehensively build up a society with modest prosperity': The Ensemble Modern as an example. PART III: Texts on Education: 12. Research or craftsmanship? Nine theses on the future of an education for the performing arts 13. If I want an actor to cry, I give him an onion: On working with actors 14. A giant wooden pistol: Theory and practice in Giessen 15. Organising hearing and seeing: Die Angewandte Theaterwissenschaft 16. Compromise is a bad director: Theatre as museum or laboratory -- Appendix Biography
9780415831048
2902507
Directors escènics--Alemanys--S. XXI
Teatre--Història--Alemanya--S. XXI
Teatre--Filosofia
792.01
Aesthetics of absence : texts on theatre / Heiner Goebbels ; edited by Jane Collins ; consultant editor Nicholas Till ; translated by David Roesner and Christina M. Lagao - London : Routledge, 2015 - xxv, 111 p., [16] p. de làm. : il. col. ; 25 cm
Bibliografia
Conté: Foreword: Heiner Goebbles: a composer who composes theatre -- Acknowledgements -- Editor's introduction -- Translator's note: Of means and perceptions-translating Heiner Goebbles -- When you mention a tree, you don't also have to whow it: A preface -- 1. Aesthetics of absence: How it all began. PART I: Texts on work(s) 2. Description of a picture, table-parties and comparative degrees: About the opera Landscape with Distant Relatives 3. 'You notice some things only because the're not connected to anyting' : Questions on constructing Eraritjaritjaka 4. Real Time in Oberplan: On Stifters dinge-A theatre of deceleration 5. Peculiar voices: On working on I Went to the house but did not enter 6. The space as invitation: The spectator as the object of art. PART II: Texts on Artists: 7. 'But I wanted this to be a narrative': Jean-Luc Godard as a composer 8. What we don't see, attracts us four theses on Call Cutta by Rimini Protokoll 9. The mystery of signs: For Robert Wilson 10. Trust no eye: For Erich Wonder 11. 'To comprehensively build up a society with modest prosperity': The Ensemble Modern as an example. PART III: Texts on Education: 12. Research or craftsmanship? Nine theses on the future of an education for the performing arts 13. If I want an actor to cry, I give him an onion: On working with actors 14. A giant wooden pistol: Theory and practice in Giessen 15. Organising hearing and seeing: Die Angewandte Theaterwissenschaft 16. Compromise is a bad director: Theatre as museum or laboratory -- Appendix Biography
9780415831048
2902507
Directors escènics--Alemanys--S. XXI
Teatre--Història--Alemanya--S. XXI
Teatre--Filosofia
792.01